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The Importance of Being Earnest

FIRST ACT

Narrator Charon
Morning-room in Algernon’s flat in Half-Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room.
Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.
ALGERNON Aoede
Did you hear what I was playing, Lane?
LANE Orus
I didn’t think it polite to listen, sir.
ALGERNON Aoede
I’m sorry for that, for your sake. I don’t play accurately—any one can play accurately—but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.
LANE Orus
Yes, sir.
ALGERNON Aoede
And, speaking of the science of Life, have you got the cucumber sandwiches cut for Lady Bracknell?
LANE Orus
Yes, sir.
Narrator Charon
Hands them on a salver.
Inspects them, takes two, and sits down on the sofa.
ALGERNON Aoede
Oh! . . . by the way, Lane, I see from your book that on Thursday night, when Lord Shoreman and Mr. Worthing were dining with me, eight bottles of champagne are entered as having been consumed.
LANE Orus
Yes, sir; eight bottles and a pint.
ALGERNON Aoede
Why is it that at a bachelor’s establishment the servants invariably drink the champagne? I ask merely for information.
LANE Orus
I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand.
ALGERNON Aoede
Good heavens! Is marriage so demoralising as that?
LANE Orus
I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person.
Narrator Charon
Languidly.
ALGERNON Aoede
I don’t know that I am much interested in your family life, Lane.
LANE Orus
No, sir; it is not a very interesting subject. I never think of it myself.
ALGERNON Aoede
Very natural, I am sure. That will do, Lane, thank you.
LANE Orus
Thank you, sir.
Narrator Charon
Lane goes out.
ALGERNON Aoede
Lane’s views on marriage seem somewhat lax. Really, if the lower orders don’t set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility.
Narrator Charon
Enter Lane.
LANE Orus
Mr. Ernest Worthing.
Narrator Charon
Enter Jack.
Lane goes out.
ALGERNON Aoede
How are you, my dear Ernest? What brings you up to town?
JACK Puck
Oh, pleasure, pleasure! What else should bring one anywhere? Eating as usual, I see, Algy!
Narrator Charon
Stiffly.
ALGERNON Aoede
I believe it is customary in good society to take some slight refreshment at five o’clock. Where have you been since last Thursday?
Narrator Charon
Sitting down on the sofa.
JACK Puck
In the country.
ALGERNON Aoede
What on earth do you do there?
Narrator Charon
Pulling off his gloves.
JACK Puck
When one is in town one amuses oneself. When one is in the country one amuses other people. It is excessively boring.
ALGERNON Aoede
And who are the people you amuse?
Narrator Charon
Airily.
JACK Puck
Oh, neighbours, neighbours.
ALGERNON Aoede
Got nice neighbours in your part of Shropshire?
JACK Puck
Perfectly horrid! Never speak to one of them.
ALGERNON Aoede
How immensely you must amuse them!
Narrator Charon
Goes over and takes sandwich.
ALGERNON Aoede
By the way, Shropshire is your county, is it not?
JACK Puck
Eh? Shropshire? Yes, of course. Hallo! Why all these cups? Why cucumber sandwiches? Why such reckless extravagance in one so young? Who is coming to tea?
ALGERNON Aoede
Oh! merely Aunt Augusta and Gwendolen.
JACK Puck
How perfectly delightful!
ALGERNON Aoede
Yes, that is all very well; but I am afraid Aunt Augusta won’t quite approve of your being here.
JACK Puck
May I ask why?
ALGERNON Aoede
My dear fellow, the way you flirt with Gwendolen is perfectly disgraceful. It is almost as bad as the way Gwendolen flirts with you.
JACK Puck
I am in love with Gwendolen. I have come up to town expressly to propose to her.
ALGERNON Aoede
I thought you had come up for pleasure? . . . I call that business.
JACK Puck
How utterly unromantic you are!
ALGERNON Aoede
I really don’t see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I’ll certainly try to forget the fact.
JACK Puck
I have no doubt about that, dear Algy. The Divorce Court was specially invented for people whose memories are so curiously constituted.
ALGERNON Aoede
Oh! there is no use speculating on that subject. Divorces are made in Heaven—
Narrator Charon
Jack puts out his hand to take a sandwich. Algernon at once interferes.
ALGERNON Aoede
Please don’t touch the cucumber sandwiches. They are ordered specially for Aunt Augusta.
Narrator Charon
Takes one and eats it.
JACK Puck
Well, you have been eating them all the time.
ALGERNON Aoede
That is quite a different matter. She is my aunt.
Narrator Charon
Takes plate from below.
ALGERNON Aoede
Have some bread and butter. The bread and butter is for Gwendolen. Gwendolen is devoted to bread and butter.
Narrator Charon
Advancing to table and helping himself.
JACK Puck
And very good bread and butter it is too.
ALGERNON Aoede
Well, my dear fellow, you need not eat as if you were going to eat it all. You behave as if you were married to her already. You are not married to her already, and I don’t think you ever will be.
JACK Puck
Why on earth do you say that?
ALGERNON Aoede
Well, in the first place girls never marry the men they flirt with. Girls don’t think it right.
JACK Puck
Oh, that is nonsense!
ALGERNON Aoede
It isn’t. It is a great truth. It accounts for the extraordinary number of bachelors that one sees all over the place. In the second place, I don’t give my consent.
JACK Puck
Your consent!
ALGERNON Aoede
My dear fellow, Gwendolen is my first cousin. And before I allow you to marry her, you will have to clear up the whole question of Cecily.
Narrator Charon
Rings bell.
JACK Puck
Cecily! What on earth do you mean? What do you mean, Algy, by Cecily! I don’t know any one of the name of Cecily.
Narrator Charon
Enter Lane.
ALGERNON Aoede
Bring me that cigarette case Mr. Worthing left in the smoking-room the last time he dined here.
LANE Orus
Yes, sir.
Narrator Charon
Lane goes out.
JACK Puck
Do you mean to say you have had my cigarette case all this time? I wish to goodness you had let me know. I have been writing frantic letters to Scotland Yard about it. I was very nearly offering a large reward.
ALGERNON Aoede
Well, I wish you would offer one. I happen to be more than usually hard up.
JACK Puck
There is no good offering a large reward now that the thing is found.
Narrator Charon
Enter Lane with the cigarette case on a salver. Algernon takes it at once. Lane goes out.
ALGERNON Aoede
I think that is rather mean of you, Ernest, I must say.
Narrator Charon
Opens case and examines it.
ALGERNON Aoede
However, it makes no matter, for, now that I look at the inscription inside, I find that the thing isn’t yours after all.
JACK Puck
Of course it’s mine.
Narrator Charon
Moving to him.
JACK Puck
You have seen me with it a hundred times, and you have no right whatsoever to read what is written inside. It is a very ungentlemanly thing to read a private cigarette case.
ALGERNON Aoede
Oh! it is absurd to have a hard and fast rule about what one should read and what one shouldn’t. More than half of modern culture depends on what one shouldn’t read.
JACK Puck
I am quite aware of the fact, and I don’t propose to discuss modern culture. It isn’t the sort of thing one should talk of in private. I simply want my cigarette case back.
ALGERNON Aoede
Yes; but this isn’t your cigarette case. This cigarette case is a present from some one of the name of Cecily, and you said you didn’t know any one of that name.
JACK Puck
Well, if you want to know, Cecily happens to be my aunt.
ALGERNON Aoede
Your aunt!
JACK Puck
Yes. Charming old lady she is, too. Lives at Tunbridge Wells. Just give it back to me, Algy.
Narrator Charon
Retreating to back of sofa.
ALGERNON Aoede
But why does she call herself little Cecily if she is your aunt and lives at Tunbridge Wells?
Narrator Charon
Reading.
ALGERNON Aoede
‘From little Cecily with her fondest love.’
Narrator Charon
Moving to sofa and kneeling upon it.
JACK Puck
My dear fellow, what on earth is there in that? Some aunts are tall, some aunts are not tall. That is a matter that surely an aunt may be allowed to decide for herself. You seem to think that every aunt should be exactly like your aunt! That is absurd! For Heaven’s sake give me back my cigarette case.
Narrator Charon
Follows Algernon round the room.
ALGERNON Aoede
Yes. But why does your aunt call you her uncle? ‘From little Cecily, with her fondest love to her dear Uncle Jack.’ There is no objection, I admit, to an aunt being a small aunt, but why an aunt, no matter what her size may be, should call her own nephew her uncle, I can’t quite make out. Besides, your name isn’t Jack at all; it is Ernest.
JACK Puck
It isn’t Ernest; it’s Jack.
ALGERNON Aoede
You have always told me it was Ernest. I have introduced you to every one as Ernest. You answer to the name of Ernest. You look as if your name was Ernest. You are the most earnest-looking person I ever saw in my life. It is perfectly absurd your saying that your name isn’t Ernest. It’s on your cards. Here is one of them.
Narrator Charon
Taking it from case.
ALGERNON Aoede
‘Mr. Ernest Worthing, B. 4, The Albany.’ I’ll keep this as a proof that your name is Ernest if ever you attempt to deny it to me, or to Gwendolen, or to any one else.
Narrator Charon
Puts the card in his pocket.
JACK Puck
Well, my name is Ernest in town and Jack in the country, and the cigarette case was given to me in the country.
ALGERNON Aoede
Yes, but that does not account for the fact that your small Aunt Cecily, who lives at Tunbridge Wells, calls you her dear uncle. Come, old boy, you had much better have the thing out at once.
JACK Puck
My dear Algy, you talk exactly as if you were a dentist. It is very vulgar to talk like a dentist when one isn’t a dentist. It produces a false impression.
ALGERNON Aoede
Well, that is exactly what dentists always do. Now, go on! Tell me the whole thing. I may mention that I have always suspected you of being a confirmed and secret Bunburyist; and I am quite sure of it now.
JACK Puck
Bunburyist? What on earth do you mean by a Bunburyist?
ALGERNON Aoede
I’ll reveal to you the meaning of that incomparable expression as soon as you are kind enough to inform me why you are Ernest in town and Jack in the country.
JACK Puck
Well, produce my cigarette case first.
ALGERNON Aoede
Here it is.
Narrator Charon
Hands cigarette case.
ALGERNON Aoede
Now produce your explanation, and pray make it improbable.
Narrator Charon
Sits on sofa.
JACK Puck
My dear fellow, there is nothing improbable about my explanation at all. In fact it’s perfectly ordinary. Old Mr. Thomas Cardew, who adopted me when I was a little boy, made me in his will guardian to his grand-daughter, Miss Cecily Cardew. Cecily, who addresses me as her uncle from motives of respect that you could not possibly appreciate, lives at my place in the country under the charge of her admirable governess, Miss Prism.
ALGERNON Aoede
Where is that place in the country, by the way?
JACK Puck
That is nothing to you, dear boy. You are not going to be invited . . . I may tell you candidly that the place is not in Shropshire.
ALGERNON Aoede
I suspected that, my dear fellow! I have Bunburyed all over Shropshire on two separate occasions. Now, go on. Why are you Ernest in town and Jack in the country?
JACK Puck
My dear Algy, I don’t know whether you will be able to understand my real motives. You are hardly serious enough. When one is placed in the position of guardian, one has to adopt a very high moral tone on all subjects. It’s one’s duty to do so. And as a high moral tone can hardly be said to conduce very much to either one’s health or one’s happiness, in order to get up to town I have always pretended to have a younger brother of the name of Ernest, who lives in the Albany, and gets into the most dreadful scrapes. That, my dear Algy, is the whole truth pure and simple.
ALGERNON Aoede
The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility!
JACK Puck
That wouldn’t be at all a bad thing.
ALGERNON Aoede
Literary criticism is not your forte, my dear fellow. Don’t try it. You should leave that to people who haven’t been at a University. They do it so well in the daily papers. What you really are is a Bunburyist. I was quite right in saying you were a Bunburyist. You are one of the most advanced Bunburyists I know.
JACK Puck
What on earth do you mean?
ALGERNON Aoede
You have invented a very useful younger brother called Ernest, in order that you may be able to come up to town as often as you like. I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose. Bunbury is perfectly invaluable. If it wasn’t for Bunbury’s extraordinary bad health, for instance, I wouldn’t be able to dine with you at Willis’s to-night, for I have been really engaged to Aunt Augusta for more than a week.
JACK Puck
I haven’t asked you to dine with me anywhere to-night.
ALGERNON Aoede
I know. You are absurdly careless about sending out invitations. It is very foolish of you. Nothing annoys people so much as not receiving invitations.
JACK Puck
You had much better dine with your Aunt Augusta.
ALGERNON Aoede
I haven’t the smallest intention of doing anything of the kind. To begin with, I dined there on Monday, and once a week is quite enough to dine with one’s own relations. In the second place, whenever I do dine there I am always treated as a member of the family, and sent down with either no woman at all, or two. In the third place, I know perfectly well whom she will place me next to, to-night. She will place me next Mary Farquhar, who always flirts with her own husband across the dinner-table. That is not very pleasant. Indeed, it is not even decent . . . and that sort of thing is enormously on the increase. The amount of women in London who flirt with their own husbands is perfectly scandalous. It looks so bad. It is simply washing one’s clean linen in public. Besides, now that I know you to be a confirmed Bunburyist I naturally want to talk to you about Bunburying. I want to tell you the rules.
JACK Puck
I’m not a Bunburyist at all. If Gwendolen accepts me, I am going to kill my brother, indeed I think I’ll kill him in any case. Cecily is a little too much interested in him. It is rather a bore. So I am going to get rid of Ernest. And I strongly advise you to do the same with Mr. . . . with your invalid friend who has the absurd name.
ALGERNON Aoede
Nothing will induce me to part with Bunbury, and if you ever get married, which seems to me extremely problematic, you will be very glad to know Bunbury. A man who marries without knowing Bunbury has a very tedious time of it.
JACK Puck
That is nonsense. If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won’t want to know Bunbury.
ALGERNON Aoede
Then your wife will. You don’t seem to realise, that in married life three is company and two is none.
Narrator Charon
Sententiously.
JACK Puck
That, my dear young friend, is the theory that the corrupt French Drama has been propounding for the last fifty years.
ALGERNON Aoede
Yes; and that the happy English home has proved in half the time.
JACK Puck
For heaven’s sake, don’t try to be cynical. It’s perfectly easy to be cynical.
ALGERNON Aoede
My dear fellow, it isn’t easy to be anything nowadays. There’s such a lot of beastly competition about.
Narrator Charon
The sound of an electric bell is heard.
ALGERNON Aoede
Ah! that must be Aunt Augusta. Only relatives, or creditors, ever ring in that Wagnerian manner. Now, if I get her out of the way for ten minutes, so that you can have an opportunity for proposing to Gwendolen, may I dine with you to-night at Willis’s?
JACK Puck
I suppose so, if you want to.
ALGERNON Aoede
Yes, but you must be serious about it. I hate people who are not serious about meals. It is so shallow of them.
Narrator Charon
Enter Lane.
LANE Orus
Lady Bracknell and Miss Fairfax.
Narrator Charon
Algernon goes forward to meet them. Enter Lady Bracknell and Gwendolen.
LADY BRACKNELL Zephyr
Good afternoon, dear Algernon, I hope you are behaving very well.
ALGERNON Aoede
I’m feeling very well, Aunt Augusta.
LADY BRACKNELL Zephyr
That’s not quite the same thing. In fact the two things rarely go together.
Narrator Charon
Sees Jack and bows to him with icy coldness.
To Gwendolen.
ALGERNON Aoede
Dear me, you are smart!
GWENDOLEN Leda
I am always smart! Am I not, Mr. Worthing?
JACK Puck
You’re quite perfect, Miss Fairfax.
GWENDOLEN Leda
Oh! I hope I am not that. It would leave no room for developments, and I intend to develop in many directions.
Narrator Charon
Gwendolen and Jack sit down together in the corner.
LADY BRACKNELL Zephyr
I’m sorry if we are a little late, Algernon, but I was obliged to call on dear Lady Harbury. I hadn’t been there since her poor husband’s death. I never saw a woman so altered; she looks quite twenty years younger. And now I’ll have a cup of tea, and one of those nice cucumber sandwiches you promised me.
ALGERNON Aoede
Certainly, Aunt Augusta.
Narrator Charon
Goes over to tea-table.
LADY BRACKNELL Zephyr
Won’t you come and sit here, Gwendolen?
GWENDOLEN Leda
Thanks, mamma, I’m quite comfortable where I am.
Narrator Charon
Picking up empty plate in horror.
ALGERNON Aoede
Good heavens! Lane! Why are there no cucumber sandwiches? I ordered them specially.
Narrator Charon
Gravely.
LANE Orus
There were no cucumbers in the market this morning, sir. I went down twice.
ALGERNON Aoede
No cucumbers!
LANE Orus
No, sir. Not even for ready money.
ALGERNON Aoede
That will do, Lane, thank you.
LANE Orus
Thank you, sir.
Narrator Charon
Goes out.
ALGERNON Aoede
I am greatly distressed, Aunt Augusta, about there being no cucumbers, not even for ready money.
LADY BRACKNELL Zephyr
It really makes no matter, Algernon. I had some crumpets with Lady Harbury, who seems to me to be living entirely for pleasure now.
ALGERNON Aoede
I hear her hair has turned quite gold from grief.
LADY BRACKNELL Zephyr
It certainly has changed its colour. From what cause I, of course, cannot say.
Narrator Charon
Algernon crosses and hands tea.
LADY BRACKNELL Zephyr
Thank you. I’ve quite a treat for you to-night, Algernon. I am going to send you down with Mary Farquhar. She is such a nice woman, and so attentive to her husband. It’s delightful to watch them.
ALGERNON Aoede
I am afraid, Aunt Augusta, I shall have to give up the pleasure of dining with you to-night after all.
Narrator Charon
Frowning.
LADY BRACKNELL Zephyr
I hope not, Algernon. It would put my table completely out. Your uncle would have to dine upstairs. Fortunately he is accustomed to that.
ALGERNON Aoede
It is a great bore, and, I need hardly say, a terrible disappointment to me, but the fact is I have just had a telegram to say that my poor friend Bunbury is very ill again.
Narrator Charon
Exchanges glances with Jack.
ALGERNON Aoede
They seem to think I should be with him.
LADY BRACKNELL Zephyr
It is very strange. This Mr. Bunbury seems to suffer from curiously bad health.
ALGERNON Aoede
Yes; poor Bunbury is a dreadful invalid.
LADY BRACKNELL Zephyr
Well, I must say, Algernon, that I think it is high time that Mr. Bunbury made up his mind whether he was going to live or to die. This shilly-shallying with the question is absurd. Nor do I in any way approve of the modern sympathy with invalids. I consider it morbid. Illness of any kind is hardly a thing to be encouraged in others. Health is the primary duty of life. I am always telling that to your poor uncle, but he never seems to take much notice . . . as far as any improvement in his ailment goes. I should be much obliged if you would ask Mr. Bunbury, from me, to be kind enough not to have a relapse on Saturday, for I rely on you to arrange my music for me. It is my last reception, and one wants something that will encourage conversation, particularly at the end of the season when every one has practically said whatever they had to say, which, in most cases, was probably not much.
ALGERNON Aoede
I’ll speak to Bunbury, Aunt Augusta, if he is still conscious, and I think I can promise you he’ll be all right by Saturday. Of course the music is a great difficulty. You see, if one plays good music, people don’t listen, and if one plays bad music people don’t talk. But I’ll run over the programme I’ve drawn out, if you will kindly come into the next room for a moment.
LADY BRACKNELL Zephyr
Thank you, Algernon. It is very thoughtful of you.
Narrator Charon
Rising, and following Algernon.
LADY BRACKNELL Zephyr
I’m sure the programme will be delightful, after a few expurgations. French songs I cannot possibly allow. People always seem to think that they are improper, and either look shocked, which is vulgar, or laugh, which is worse. But German sounds a thoroughly respectable language, and indeed, I believe is so. Gwendolen, you will accompany me.
GWENDOLEN Leda
Certainly, mamma.
Narrator Charon
Lady Bracknell and Algernon go into the music-room, Gwendolen remains behind.
JACK Puck
Charming day it has been, Miss Fairfax.
GWENDOLEN Leda
Pray don’t talk to me about the weather, Mr. Worthing. Whenever people talk to me about the weather, I always feel quite certain that they mean something else. And that makes me so nervous.
JACK Puck
I do mean something else.
GWENDOLEN Leda
I thought so. In fact, I am never wrong.
JACK Puck
And I would like to be allowed to take advantage of Lady Bracknell’s temporary absence . . .
GWENDOLEN Leda
I would certainly advise you to do so. Mamma has a way of coming back suddenly into a room that I have often had to speak to her about.
Narrator Charon
Nervously.
JACK Puck
Miss Fairfax, ever since I met you I have admired you more than any girl . . . I have ever met since . . . I met you.
GWENDOLEN Leda
Yes, I am quite well aware of the fact. And I often wish that in public, at any rate, you had been more demonstrative. For me you have always had an irresistible fascination. Even before I met you I was far from indifferent to you.
Narrator Charon
Jack looks at her in amazement.
GWENDOLEN Leda
We live, as I hope you know, Mr. Worthing, in an age of ideals. The fact is constantly mentioned in the more expensive monthly magazines, and has reached the provincial pulpits, I am told; and my ideal has always been to love some one of the name of Ernest. There is something in that name that inspires absolute confidence. The moment Algernon first mentioned to me that he had a friend called Ernest, I knew I was destined to love you.
JACK Puck
You really love me, Gwendolen?
GWENDOLEN Leda
Passionately!
JACK Puck
Darling! You don’t know how happy you’ve made me.
GWENDOLEN Leda
My own Ernest!
JACK Puck
But you don’t really mean to say that you couldn’t love me if my name wasn’t Ernest?
GWENDOLEN Leda
But your name is Ernest.
JACK Puck
Yes, I know it is. But supposing it was something else? Do you mean to say you couldn’t love me then?
Narrator Charon
Glibly.
GWENDOLEN Leda
Ah! that is clearly a metaphysical speculation, and like most metaphysical speculations has very little reference at all to the actual facts of real life, as we know them.
JACK Puck
Personally, darling, to speak quite candidly, I don’t much care about the name of Ernest . . . I don’t think the name suits me at all.
GWENDOLEN Leda
It suits you perfectly. It is a divine name. It has a music of its own. It produces vibrations.
JACK Puck
Well, really, Gwendolen, I must say that I think there are lots of other much nicer names. I think Jack, for instance, a charming name.
GWENDOLEN Leda
Jack? . . . No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces absolutely no vibrations . . . I have known several Jacks, and they all, without exception, were more than usually plain. Besides, Jack is a notorious domesticity for John! And I pity any woman who is married to a man called John. She would probably never be allowed to know the entrancing pleasure of a single moment’s solitude. The only really safe name is Ernest.
JACK Puck
Gwendolen, I must get christened at once—I mean we must get married at once. There is no time to be lost.
GWENDOLEN Leda
Married, Mr. Worthing?
Narrator Charon
Astounded.
JACK Puck
Well . . . surely. You know that I love you, and you led me to believe, Miss Fairfax, that you were not absolutely indifferent to me.
GWENDOLEN Leda
I adore you. But you haven’t proposed to me yet. Nothing has been said at all about marriage. The subject has not even been touched on.
JACK Puck
Well . . . may I propose to you now?
GWENDOLEN Leda
I think it would be an admirable opportunity. And to spare you any possible disappointment, Mr. Worthing, I think it only fair to tell you quite frankly before-hand that I am fully determined to accept you.
JACK Puck
Gwendolen!
GWENDOLEN Leda
Yes, Mr. Worthing, what have you got to say to me?
JACK Puck
You know what I have got to say to you.
GWENDOLEN Leda
Yes, but you don’t say it.
JACK Puck
Gwendolen, will you marry me?
Narrator Charon
Goes on his knees.
GWENDOLEN Leda
Of course I will, darling. How long you have been about it! I am afraid you have had very little experience in how to propose.
JACK Puck
My own one, I have never loved any one in the world but you.
GWENDOLEN Leda
Yes, but men often propose for practice. I know my brother Gerald does. All my girl-friends tell me so. What wonderfully blue eyes you have, Ernest! They are quite, quite, blue. I hope you will always look at me just like that, especially when there are other people present.
Narrator Charon
Enter Lady Bracknell.
LADY BRACKNELL Zephyr
Mr. Worthing! Rise, sir, from this semi-recumbent posture. It is most indecorous.
GWENDOLEN Leda
Mamma!
Narrator Charon
He tries to rise; she restrains him.
GWENDOLEN Leda
I must beg you to retire. This is no place for you. Besides, Mr. Worthing has not quite finished yet.
LADY BRACKNELL Zephyr
Finished what, may I ask?
GWENDOLEN Leda
I am engaged to Mr. Worthing, mamma.
Narrator Charon
They rise together.
LADY BRACKNELL Zephyr
Pardon me, you are not engaged to any one. When you do become engaged to some one, I, or your father, should his health permit him, will inform you of the fact. An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she could be allowed to arrange for herself . . . And now I have a few questions to put to you, Mr. Worthing. While I am making these inquiries, you, Gwendolen, will wait for me below in the carriage.
Narrator Charon
Reproachfully.
GWENDOLEN Leda
Mamma!
LADY BRACKNELL Zephyr
In the carriage, Gwendolen!
Narrator Charon
Gwendolen goes to the door. She and Jack blow kisses to each other behind Lady Bracknell’s back. Lady Bracknell looks vaguely about as if she could not understand what the noise was. Finally turns round.
LADY BRACKNELL Zephyr
Gwendolen, the carriage!
GWENDOLEN Leda
Yes, mamma.
Narrator Charon
Goes out, looking back at Jack.
Sitting down.
LADY BRACKNELL Zephyr
You can take a seat, Mr. Worthing.
Narrator Charon
Looks in her pocket for note-book and pencil.
JACK Puck
Thank you, Lady Bracknell, I prefer standing.
Narrator Charon
Pencil and note-book in hand.
LADY BRACKNELL Zephyr
I feel bound to tell you that you are not down on my list of eligible young men, although I have the same list as the dear Duchess of Bolton has. We work together, in fact. However, I am quite ready to enter your name, should your answers be what a really affectionate mother requires. Do you smoke?
JACK Puck
Well, yes, I must admit I smoke.
LADY BRACKNELL Zephyr
I am glad to hear it. A man should always have an occupation of some kind. There are far too many idle men in London as it is. How old are you?
JACK Puck
Twenty-nine.
LADY BRACKNELL Zephyr
A very good age to be married at. I have always been of opinion that a man who desires to get married should know either everything or nothing. Which do you know?
Narrator Charon
After some hesitation.
JACK Puck
I know nothing, Lady Bracknell.
LADY BRACKNELL Zephyr
I am pleased to hear it. I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square. What is your income?
JACK Puck
Between seven and eight thousand a year.
Narrator Charon
Makes a note in her book.
LADY BRACKNELL Zephyr
In land, or in investments?
JACK Puck
In investments, chiefly.
LADY BRACKNELL Zephyr
That is satisfactory. What between the duties expected of one during one’s lifetime, and the duties exacted from one after one’s death, land has ceased to be either a profit or a pleasure. It gives one position, and prevents one from keeping it up. That’s all that can be said about land.
JACK Puck
I have a country house with some land, of course, attached to it, about fifteen hundred acres, I believe; but I don’t depend on that for my real income. In fact, as far as I can make out, the poachers are the only people who make anything out of it.
LADY BRACKNELL Zephyr
A country house! How many bedrooms? Well, that point can be cleared up afterwards. You have a town house, I hope? A girl with a simple, unspoiled nature, like Gwendolen, could hardly be expected to reside in the country.
JACK Puck
Well, I own a house in Belgrave Square, but it is let by the year to Lady Bloxham. Of course, I can get it back whenever I like, at six months’ notice.
LADY BRACKNELL Zephyr
Lady Bloxham? I don’t know her.
JACK Puck
Oh, she goes about very little. She is a lady considerably advanced in years.
LADY BRACKNELL Zephyr
Ah, nowadays that is no guarantee of respectability of character. What number in Belgrave Square?
JACK Puck
149.
Narrator Charon
Shaking her head.
LADY BRACKNELL Zephyr
The unfashionable side. I thought there was something. However, that could easily be altered.
JACK Puck
Do you mean the fashion, or the side?
Narrator Charon
Sternly.
LADY BRACKNELL Zephyr
Both, if necessary, I presume. What are your politics?
JACK Puck
Well, I am afraid I really have none. I am a Liberal Unionist.
LADY BRACKNELL Zephyr
Oh, they count as Tories. They dine with us. Or come in the evening, at any rate. Now to minor matters. Are your parents living?
JACK Puck
I have lost both my parents.
LADY BRACKNELL Zephyr
To lose one parent, Mr. Worthing, may be regarded as a misfortune; to lose both looks like carelessness. Who was your father? He was evidently a man of some wealth. Was he born in what the Radical papers call the purple of commerce, or did he rise from the ranks of the aristocracy?
JACK Puck
I am afraid I really don’t know. The fact is, Lady Bracknell, I said I had lost my parents. It would be nearer the truth to say that my parents seem to have lost me . . . I don’t actually know who I am by birth. I was . . . well, I was found.
LADY BRACKNELL Zephyr
Found!
JACK Puck
The late Mr. Thomas Cardew, an old gentleman of a very charitable and kindly disposition, found me, and gave me the name of Worthing, because he happened to have a first-class ticket for Worthing in his pocket at the time. Worthing is a place in Sussex. It is a seaside resort.
LADY BRACKNELL Zephyr
Where did the charitable gentleman who had a first-class ticket for this seaside resort find you?
Narrator Charon
Gravely.
JACK Puck
In a hand-bag.
LADY BRACKNELL Zephyr
A hand-bag?
Narrator Charon
Very seriously.
JACK Puck
Yes, Lady Bracknell. I was in a hand-bag—a somewhat large, black leather hand-bag, with handles to it—an ordinary hand-bag in fact.
LADY BRACKNELL Zephyr
In what locality did this Mr. James, or Thomas, Cardew come across this ordinary hand-bag?
JACK Puck
In the cloak-room at Victoria Station. It was given to him in mistake for his own.
LADY BRACKNELL Zephyr
The cloak-room at Victoria Station?
JACK Puck
Yes. The Brighton line.
LADY BRACKNELL Zephyr
The line is immaterial. Mr. Worthing, I confess I feel somewhat bewildered by what you have just told me. To be born, or at any rate bred, in a hand-bag, whether it had handles or not, seems to me to display a contempt for the ordinary decencies of family life that reminds one of the worst excesses of the French Revolution. And I presume you know what that unfortunate movement led to? As for the particular locality in which the hand-bag was found, a cloak-room at a railway station might serve to conceal a social indiscretion—has probably, indeed, been used for that purpose before now—but it could hardly be regarded as an assured basis for a recognised position in good society.
JACK Puck
May I ask you then what you would advise me to do? I need hardly say I would do anything in the world to ensure Gwendolen’s happiness.
LADY BRACKNELL Zephyr
I would strongly advise you, Mr. Worthing, to try and acquire some relations as soon as possible, and to make a definite effort to produce at any rate one parent, of either sex, before the season is quite over.
JACK Puck
Well, I don’t see how I could possibly manage to do that. I can produce the hand-bag at any moment. It is in my dressing-room at home. I really think that should satisfy you, Lady Bracknell.
LADY BRACKNELL Zephyr
Me, sir! What has it to do with me? You can hardly imagine that I and Lord Bracknell would dream of allowing our only daughter—a girl brought up with the utmost care—to marry into a cloak-room, and form an alliance with a parcel? Good morning, Mr. Worthing!
Narrator Charon
Lady Bracknell sweeps out in majestic indignation.
JACK Puck
Good morning!
Narrator Charon
Algernon, from the other room, strikes up the Wedding March. Jack looks perfectly furious, and goes to the door.
JACK Puck
For goodness’ sake don’t play that ghastly tune, Algy. How idiotic you are!
Narrator Charon
The music stops and Algernon enters cheerily.
ALGERNON Aoede
Didn’t it go off all right, old boy? You don’t mean to say Gwendolen refused you? I know it is a way she has. She is always refusing people. I think it is most ill-natured of her.
JACK Puck
Oh, Gwendolen is as right as a trivet. As far as she is concerned, we are engaged. Her mother is perfectly unbearable. Never met such a Gorgon . . . I don’t really know what a Gorgon is like, but I am quite sure that Lady Bracknell is one. In any case, she is a monster, without being a myth, which is rather unfair . . . I beg your pardon, Algy, I suppose I shouldn’t talk about your own aunt in that way before you.
ALGERNON Aoede
My dear boy, I love hearing my relations abused. It is the only thing that makes me put up with them at all. Relations are simply a tedious pack of people, who haven’t got the remotest knowledge of how to live, nor the smallest instinct about when to die.
JACK Puck
Oh, that is nonsense!
ALGERNON Aoede
It isn’t!
JACK Puck
Well, I won’t argue about the matter. You always want to argue about things.
ALGERNON Aoede
That is exactly what things were originally made for.
JACK Puck
Upon my word, if I thought that, I’d shoot myself . . .
Narrator Charon
A pause.
JACK Puck
You don’t think there is any chance of Gwendolen becoming like her mother in about a hundred and fifty years, do you, Algy?
ALGERNON Aoede
All women become like their mothers. That is their tragedy. No man does. That’s his.
JACK Puck
Is that clever?
ALGERNON Aoede
It is perfectly phrased! and quite as true as any observation in civilised life should be.
JACK Puck
I am sick to death of cleverness. Everybody is clever nowadays. You can’t go anywhere without meeting clever people. The thing has become an absolute public nuisance. I wish to goodness we had a few fools left.
ALGERNON Aoede
We have.
JACK Puck
I should extremely like to meet them. What do they talk about?
ALGERNON Aoede
The fools? Oh! about the clever people, of course.
JACK Puck
What fools!
ALGERNON Aoede
By the way, did you tell Gwendolen the truth about your being Ernest in town, and Jack in the country?
Narrator Charon
In a very patronising manner.
JACK Puck
My dear fellow, the truth isn’t quite the sort of thing one tells to a nice, sweet, refined girl. What extraordinary ideas you have about the way to behave to a woman!
ALGERNON Aoede
The only way to behave to a woman is to make love to her, if she is pretty, and to some one else, if she is plain.
JACK Puck
Oh, that is nonsense.
ALGERNON Aoede
What about your brother? What about the profligate Ernest?
JACK Puck
Oh, before the end of the week I shall have got rid of him. I’ll say he died in Paris of apoplexy. Lots of people die of apoplexy, quite suddenly, don’t they?
ALGERNON Aoede
Yes, but it’s hereditary, my dear fellow. It’s a sort of thing that runs in families. You had much better say a severe chill.
JACK Puck
You are sure a severe chill isn’t hereditary, or anything of that kind?
ALGERNON Aoede
Of course it isn’t!
JACK Puck
Very well, then. My poor brother Ernest is carried off suddenly, in Paris, by a severe chill. That gets rid of him.
ALGERNON Aoede
But I thought you said that . . . Miss Cardew was a little too much interested in your poor brother Ernest? Won’t she feel his loss a good deal?
JACK Puck
Oh, that is all right. Cecily is not a silly romantic girl, I am glad to say. She has got a capital appetite, goes long walks, and pays no attention at all to her lessons.
ALGERNON Aoede
I would rather like to see Cecily.
JACK Puck
I will take very good care you never do. She is excessively pretty, and she is only just eighteen.
ALGERNON Aoede
Have you told Gwendolen yet that you have an excessively pretty ward who is only just eighteen?
JACK Puck
Oh! one doesn’t blurt these things out to people. Cecily and Gwendolen are perfectly certain to be extremely great friends. I’ll bet you anything you like that half an hour after they have met, they will be calling each other sister.
ALGERNON Aoede
Women only do that when they have called each other a lot of other things first. Now, my dear boy, if we want to get a good table at Willis’s, we really must go and dress. Do you know it is nearly seven?
Narrator Charon
Irritably.
JACK Puck
Oh! It always is nearly seven.
ALGERNON Aoede
Well, I’m hungry.
JACK Puck
I never knew you when you weren’t . . .
ALGERNON Aoede
What shall we do after dinner? Go to a theatre?
JACK Puck
Oh no! I loathe listening.
ALGERNON Aoede
Well, let us go to the Club?
JACK Puck
Oh, no! I hate talking.
ALGERNON Aoede
Well, we might trot round to the Empire at ten?
JACK Puck
Oh, no! I can’t bear looking at things. It is so silly.
ALGERNON Aoede
Well, what shall we do?
JACK Puck
Nothing!
ALGERNON Aoede
It is awfully hard work doing nothing. However, I don’t mind hard work where there is no definite object of any kind.
Narrator Charon
Enter Lane.
LANE Orus
Miss Fairfax.
Narrator Charon
Enter Gwendolen. Lane goes out.
ALGERNON Aoede
Gwendolen, upon my word!
GWENDOLEN Leda
Algy, kindly turn your back. I have something very particular to say to Mr. Worthing.
ALGERNON Aoede
Really, Gwendolen, I don’t think I can allow this at all.
GWENDOLEN Leda
Algy, you always adopt a strictly immoral attitude towards life. You are not quite old enough to do that.
Narrator Charon
Algernon retires to the fireplace.
JACK Puck
My own darling!
GWENDOLEN Leda
Ernest, we may never be married. From the expression on mamma’s face I fear we never shall. Few parents nowadays pay any regard to what their children say to them. The old-fashioned respect for the young is fast dying out. Whatever influence I ever had over mamma, I lost at the age of three. But although she may prevent us from becoming man and wife, and I may marry some one else, and marry often, nothing that she can possibly do can alter my eternal devotion to you.
JACK Puck
Dear Gwendolen!
GWENDOLEN Leda
The story of your romantic origin, as related to me by mamma, with unpleasing comments, has naturally stirred the deeper fibres of my nature. Your Christian name has an irresistible fascination. The simplicity of your character makes you exquisitely incomprehensible to me. Your town address at the Albany I have. What is your address in the country?
JACK Puck
The Manor House, Woolton, Hertfordshire.
Narrator Charon
Algernon, who has been carefully listening, smiles to himself, and writes the address on his shirt-cuff. Then picks up the Railway Guide.
GWENDOLEN Leda
There is a good postal service, I suppose? It may be necessary to do something desperate. That of course will require serious consideration. I will communicate with you daily.
JACK Puck
My own one!
GWENDOLEN Leda
How long do you remain in town?
JACK Puck
Till Monday.
GWENDOLEN Leda
Good! Algy, you may turn round now.
ALGERNON Aoede
Thanks, I’ve turned round already.
GWENDOLEN Leda
You may also ring the bell.
JACK Puck
You will let me see you to your carriage, my own darling?
GWENDOLEN Leda
Certainly.
Narrator Charon
To Lane, who now enters.
JACK Puck
I will see Miss Fairfax out.
LANE Orus
Yes, sir.
Narrator Charon
Jack and Gwendolen go off.
Lane presents several letters on a salver to Algernon. It is to be surmised that they are bills, as Algernon, after looking at the envelopes, tears them up.
ALGERNON Aoede
A glass of sherry, Lane.
LANE Orus
Yes, sir.
ALGERNON Aoede
To-morrow, Lane, I’m going Bunburying.
LANE Orus
Yes, sir.
ALGERNON Aoede
I shall probably not be back till Monday. You can put up my dress clothes, my smoking jacket, and all the Bunbury suits . . .
LANE Orus
Yes, sir.
Narrator Charon
Handing sherry.
ALGERNON Aoede
I hope to-morrow will be a fine day, Lane.
LANE Orus
It never is, sir.
ALGERNON Aoede
Lane, you’re a perfect pessimist.
LANE Orus
I do my best to give satisfaction, sir.
Narrator Charon
Enter Jack. Lane goes off.
JACK Puck
There’s a sensible, intellectual girl! the only girl I ever cared for in my life.
Narrator Charon
Algernon is laughing immoderately.
JACK Puck
What on earth are you so amused at?
ALGERNON Aoede
Oh, I’m a little anxious about poor Bunbury, that is all.
JACK Puck
If you don’t take care, your friend Bunbury will get you into a serious scrape some day.
ALGERNON Aoede
I love scrapes. They are the only things that are never serious.
JACK Puck
Oh, that’s nonsense, Algy. You never talk anything but nonsense.
ALGERNON Aoede
Nobody ever does.
Narrator Charon
Jack looks indignantly at him, and leaves the room. Algernon lights a cigarette, reads his shirt-cuff, and smiles.
ACT DROP.

SECOND ACT

Narrator Charon
Garden at the Manor House. A flight of grey stone steps leads up to the house. The garden, an old-fashioned one, full of roses. Time of year, July. Basket chairs, and a table covered with books, are set under a large yew-tree.
Miss Prism discovered seated at the table. Cecily is at the back watering flowers.
Calling.
MISS PRISM Callirrhoe
Cecily, Cecily! Surely such a utilitarian occupation as the watering of flowers is rather Moulton’s duty than yours? Especially at a moment when intellectual pleasures await you. Your German grammar is on the table. Pray open it at page fifteen. We will repeat yesterday’s lesson.
Narrator Charon
Coming over very slowly.
CECILY Kore
But I don’t like German. It isn’t at all a becoming language. I know perfectly well that I look quite plain after my German lesson.
MISS PRISM Callirrhoe
Child, you know how anxious your guardian is that you should improve yourself in every way. He laid particular stress on your German, as he was leaving for town yesterday. Indeed, he always lays stress on your German when he is leaving for town.
CECILY Kore
Dear Uncle Jack is so very serious! Sometimes he is so serious that I think he cannot be quite well.
Narrator Charon
Drawing herself up.
MISS PRISM Callirrhoe
Your guardian enjoys the best of health, and his gravity of demeanour is especially to be commended in one so comparatively young as he is. I know no one who has a higher sense of duty and responsibility.
CECILY Kore
I suppose that is why he often looks a little bored when we three are together.
MISS PRISM Callirrhoe
Cecily! I am surprised at you. Mr. Worthing has many troubles in his life. Idle merriment and triviality would be out of place in his conversation. You must remember his constant anxiety about that unfortunate young man his brother.
CECILY Kore
I wish Uncle Jack would allow that unfortunate young man, his brother, to come down here sometimes. We might have a good influence over him, Miss Prism. I am sure you certainly would. You know German, and geology, and things of that kind influence a man very much.
Narrator Charon
Cecily begins to write in her diary.
Shaking her head.
MISS PRISM Callirrhoe
I do not think that even I could produce any effect on a character that according to his own brother’s admission is irretrievably weak and vacillating. Indeed I am not sure that I would desire to reclaim him. I am not in favour of this modern mania for turning bad people into good people at a moment’s notice. As a man sows so let him reap. You must put away your diary, Cecily. I really don’t see why you should keep a diary at all.
CECILY Kore
I keep a diary in order to enter the wonderful secrets of my life. If I didn’t write them down, I should probably forget all about them.
MISS PRISM Callirrhoe
Memory, my dear Cecily, is the diary that we all carry about with us.
CECILY Kore
Yes, but it usually chronicles the things that have never happened, and couldn’t possibly have happened. I believe that Memory is responsible for nearly all the three-volume novels that Mudie sends us.
MISS PRISM Callirrhoe
Do not speak slightingly of the three-volume novel, Cecily. I wrote one myself in earlier days.
CECILY Kore
Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don’t like novels that end happily. They depress me so much.
MISS PRISM Callirrhoe
The good ended happily, and the bad unhappily. That is what Fiction means.
CECILY Kore
I suppose so. But it seems very unfair. And was your novel ever published?
MISS PRISM Callirrhoe
Alas! no. The manuscript unfortunately was abandoned.
Narrator Charon
Cecily starts.
MISS PRISM Callirrhoe
I use the word in the sense of lost or mislaid. To your work, child, these speculations are profitless.
Narrator Charon
Smiling.
CECILY Kore
But I see dear Dr. Chasuble coming up through the garden.
Narrator Charon
Rising and advancing.
MISS PRISM Callirrhoe
Dr. Chasuble! This is indeed a pleasure.
Narrator Charon
Enter Canon Chasuble.
CHASUBLE Fenrir
And how are we this morning? Miss Prism, you are, I trust, well?
CECILY Kore
Miss Prism has just been complaining of a slight headache. I think it would do her so much good to have a short stroll with you in the Park, Dr. Chasuble.
MISS PRISM Callirrhoe
Cecily, I have not mentioned anything about a headache.
CECILY Kore
No, dear Miss Prism, I know that, but I felt instinctively that you had a headache. Indeed I was thinking about that, and not about my German lesson, when the Rector came in.
CHASUBLE Fenrir
I hope, Cecily, you are not inattentive.
CECILY Kore
Oh, I am afraid I am.
CHASUBLE Fenrir
That is strange. Were I fortunate enough to be Miss Prism’s pupil, I would hang upon her lips.
Narrator Charon
Miss Prism glares.
CHASUBLE Fenrir
I spoke metaphorically.—My metaphor was drawn from bees. Ahem! Mr. Worthing, I suppose, has not returned from town yet?
MISS PRISM Callirrhoe
We do not expect him till Monday afternoon.
CHASUBLE Fenrir
Ah yes, he usually likes to spend his Sunday in London. He is not one of those whose sole aim is enjoyment, as, by all accounts, that unfortunate young man his brother seems to be. But I must not disturb Egeria and her pupil any longer.
MISS PRISM Callirrhoe
Egeria? My name is Lætitia, Doctor.
Narrator Charon
Bowing.
CHASUBLE Fenrir
A classical allusion merely, drawn from the Pagan authors. I shall see you both no doubt at Evensong?
MISS PRISM Callirrhoe
I think, dear Doctor, I will have a stroll with you. I find I have a headache after all, and a walk might do it good.
CHASUBLE Fenrir
With pleasure, Miss Prism, with pleasure. We might go as far as the schools and back.
MISS PRISM Callirrhoe
That would be delightful. Cecily, you will read your Political Economy in my absence. The chapter on the Fall of the Rupee you may omit. It is somewhat too sensational. Even these metallic problems have their melodramatic side.
Narrator Charon
Goes down the garden with Dr. Chasuble.
Picks up books and throws them back on table.
CECILY Kore
Horrid Political Economy! Horrid Geography! Horrid, horrid German!
Narrator Charon
Enter Merriman with a card on a salver.
MERRIMAN Algieba
Mr. Ernest Worthing has just driven over from the station. He has brought his luggage with him.
Narrator Charon
Takes the card and reads it.
CECILY Kore
‘Mr. Ernest Worthing, B. 4, The Albany, W.’ Uncle Jack’s brother! Did you tell him Mr. Worthing was in town?
MERRIMAN Algieba
Yes, Miss. He seemed very much disappointed. I mentioned that you and Miss Prism were in the garden. He said he was anxious to speak to you privately for a moment.
CECILY Kore
Ask Mr. Ernest Worthing to come here. I suppose you had better talk to the housekeeper about a room for him.
MERRIMAN Algieba
Yes, Miss.
Narrator Charon
Merriman goes off.
CECILY Kore
I have never met any really wicked person before. I feel rather frightened. I am so afraid he will look just like every one else.
Narrator Charon
Enter Algernon, very gay and debonnair.
CECILY Kore
He does!
Narrator Charon
Raising his hat.
ALGERNON Aoede
You are my little cousin Cecily, I’m sure.
CECILY Kore
You are under some strange mistake. I am not little. In fact, I believe I am more than usually tall for my age.
Narrator Charon
Algernon is rather taken aback.
CECILY Kore
But I am your cousin Cecily. You, I see from your card, are Uncle Jack’s brother, my cousin Ernest, my wicked cousin Ernest.
ALGERNON Aoede
Oh! I am not really wicked at all, cousin Cecily. You mustn’t think that I am wicked.
CECILY Kore
If you are not, then you have certainly been deceiving us all in a very inexcusable manner. I hope you have not been leading a double life, pretending to be wicked and being really good all the time. That would be hypocrisy.
Narrator Charon
Looks at her in amazement.
ALGERNON Aoede
Oh! Of course I have been rather reckless.
CECILY Kore
I am glad to hear it.
ALGERNON Aoede
In fact, now you mention the subject, I have been very bad in my own small way.
CECILY Kore
I don’t think you should be so proud of that, though I am sure it must have been very pleasant.
ALGERNON Aoede
It is much pleasanter being here with you.
CECILY Kore
I can’t understand how you are here at all. Uncle Jack won’t be back till Monday afternoon.
ALGERNON Aoede
That is a great disappointment. I am obliged to go up by the first train on Monday morning. I have a business appointment that I am anxious . . . to miss?
CECILY Kore
Couldn’t you miss it anywhere but in London?
ALGERNON Aoede
No: the appointment is in London.
CECILY Kore
Well, I know, of course, how important it is not to keep a business engagement, if one wants to retain any sense of the beauty of life, but still I think you had better wait till Uncle Jack arrives. I know he wants to speak to you about your emigrating.
ALGERNON Aoede
About my what?
CECILY Kore
Your emigrating. He has gone up to buy your outfit.
ALGERNON Aoede
I certainly wouldn’t let Jack buy my outfit. He has no taste in neckties at all.
CECILY Kore
I don’t think you will require neckties. Uncle Jack is sending you to Australia.
ALGERNON Aoede
Australia! I’d sooner die.
CECILY Kore
Well, he said at dinner on Wednesday night, that you would have to choose between this world, the next world, and Australia.
ALGERNON Aoede
Oh, well! The accounts I have received of Australia and the next world, are not particularly encouraging. This world is good enough for me, cousin Cecily.
CECILY Kore
Yes, but are you good enough for it?
ALGERNON Aoede
I’m afraid I’m not that. That is why I want you to reform me. You might make that your mission, if you don’t mind, cousin Cecily.
CECILY Kore
I’m afraid I’ve no time, this afternoon.
ALGERNON Aoede
Well, would you mind my reforming myself this afternoon?
CECILY Kore
It is rather Quixotic of you. But I think you should try.
ALGERNON Aoede
I will. I feel better already.
CECILY Kore
You are looking a little worse.
ALGERNON Aoede
That is because I am hungry.
CECILY Kore
How thoughtless of me. I should have remembered that when one is going to lead an entirely new life, one requires regular and wholesome meals. Won’t you come in?
ALGERNON Aoede
Thank you. Might I have a buttonhole first? I never have any appetite unless I have a buttonhole first.
CECILY Kore
A Marechal Niel?
Narrator Charon
Picks up scissors.
ALGERNON Aoede
No, I’d sooner have a pink rose.
CECILY Kore
Why?
Narrator Charon
Cuts a flower.
ALGERNON Aoede
Because you are like a pink rose, Cousin Cecily.
CECILY Kore
I don’t think it can be right for you to talk to me like that. Miss Prism never says such things to me.
ALGERNON Aoede
Then Miss Prism is a short-sighted old lady.
Narrator Charon
Cecily puts the rose in his buttonhole.
ALGERNON Aoede
You are the prettiest girl I ever saw.
CECILY Kore
Miss Prism says that all good looks are a snare.
ALGERNON Aoede
They are a snare that every sensible man would like to be caught in.
CECILY Kore
Oh, I don’t think I would care to catch a sensible man. I shouldn’t know what to talk to him about.
Narrator Charon
They pass into the house. Miss Prism and Dr. Chasuble return.
MISS PRISM Callirrhoe
You are too much alone, dear Dr. Chasuble. You should get married. A misanthrope I can understand—a womanthrope, never!
Narrator Charon
With a scholar’s shudder.
CHASUBLE Fenrir
Believe me, I do not deserve so neologistic a phrase. The precept as well as the practice of the Primitive Church was distinctly against matrimony.
Narrator Charon
Sententiously.
MISS PRISM Callirrhoe
That is obviously the reason why the Primitive Church has not lasted up to the present day. And you do not seem to realise, dear Doctor, that by persistently remaining single, a man converts himself into a permanent public temptation. Men should be more careful; this very celibacy leads weaker vessels astray.
CHASUBLE Fenrir
But is a man not equally attractive when married?
MISS PRISM Callirrhoe
No married man is ever attractive except to his wife.
CHASUBLE Fenrir
And often, I’ve been told, not even to her.
MISS PRISM Callirrhoe
That depends on the intellectual sympathies of the woman. Maturity can always be depended on. Ripeness can be trusted. Young women are green.
Narrator Charon
Dr. Chasuble starts.
MISS PRISM Callirrhoe
I spoke horticulturally. My metaphor was drawn from fruits. But where is Cecily?
CHASUBLE Fenrir
Perhaps she followed us to the schools.
Narrator Charon
Enter Jack slowly from the back of the garden. He is dressed in the deepest mourning, with crape hatband and black gloves.
MISS PRISM Callirrhoe
Mr. Worthing!
CHASUBLE Fenrir
Mr. Worthing?
MISS PRISM Callirrhoe
This is indeed a surprise. We did not look for you till Monday afternoon.
Narrator Charon
Shakes Miss Prism’s hand in a tragic manner.
JACK Puck
I have returned sooner than I expected. Dr. Chasuble, I hope you are well?
CHASUBLE Fenrir
Dear Mr. Worthing, I trust this garb of woe does not betoken some terrible calamity?
JACK Puck
My brother.
MISS PRISM Callirrhoe
More shameful debts and extravagance?
CHASUBLE Fenrir
Still leading his life of pleasure?
Narrator Charon
Shaking his head.
JACK Puck
Dead!
CHASUBLE Fenrir
Your brother Ernest dead?
JACK Puck
Quite dead.
MISS PRISM Callirrhoe
What a lesson for him! I trust he will profit by it.
CHASUBLE Fenrir
Mr. Worthing, I offer you my sincere condolence. You have at least the consolation of knowing that you were always the most generous and forgiving of brothers.
JACK Puck
Poor Ernest! He had many faults, but it is a sad, sad blow.
CHASUBLE Fenrir
Very sad indeed. Were you with him at the end?
JACK Puck
No. He died abroad; in Paris, in fact. I had a telegram last night from the manager of the Grand Hotel.
CHASUBLE Fenrir
Was the cause of death mentioned?
JACK Puck
A severe chill, it seems.
MISS PRISM Callirrhoe
As a man sows, so shall he reap.
Narrator Charon
Raising his hand.
CHASUBLE Fenrir
Charity, dear Miss Prism, charity! None of us are perfect. I myself am peculiarly susceptible to draughts. Will the interment take place here?
JACK Puck
No. He seems to have expressed a desire to be buried in Paris.
CHASUBLE Fenrir
In Paris!
Narrator Charon
Shakes his head.
CHASUBLE Fenrir
I fear that hardly points to any very serious state of mind at the last. You would no doubt wish me to make some slight allusion to this tragic domestic affliction next Sunday.
Narrator Charon
Jack presses his hand convulsively.
CHASUBLE Fenrir
My sermon on the meaning of the manna in the wilderness can be adapted to almost any occasion, joyful, or, as in the present case, distressing.
Narrator Charon
All sigh.
CHASUBLE Fenrir
I have preached it at harvest celebrations, christenings, confirmations, on days of humiliation and festal days. The last time I delivered it was in the Cathedral, as a charity sermon on behalf of the Society for the Prevention of Discontent among the Upper Orders. The Bishop, who was present, was much struck by some of the analogies I drew.
JACK Puck
Ah! that reminds me, you mentioned christenings I think, Dr. Chasuble? I suppose you know how to christen all right?
Narrator Charon
Dr. Chasuble looks astounded.
JACK Puck
I mean, of course, you are continually christening, aren’t you?
MISS PRISM Callirrhoe
It is, I regret to say, one of the Rector’s most constant duties in this parish. I have often spoken to the poorer classes on the subject. But they don’t seem to know what thrift is.
CHASUBLE Fenrir
But is there any particular infant in whom you are interested, Mr. Worthing? Your brother was, I believe, unmarried, was he not?
JACK Puck
Oh yes.
Narrator Charon
Bitterly.
MISS PRISM Callirrhoe
People who live entirely for pleasure usually are.
JACK Puck
But it is not for any child, dear Doctor. I am very fond of children. No! the fact is, I would like to be christened myself, this afternoon, if you have nothing better to do.
CHASUBLE Fenrir
But surely, Mr. Worthing, you have been christened already?
JACK Puck
I don’t remember anything about it.
CHASUBLE Fenrir
But have you any grave doubts on the subject?
JACK Puck
I certainly intend to have. Of course I don’t know if the thing would bother you in any way, or if you think I am a little too old now.
CHASUBLE Fenrir
Not at all. The sprinkling, and, indeed, the immersion of adults is a perfectly canonical practice.
JACK Puck
Immersion!
CHASUBLE Fenrir
You need have no apprehensions. Sprinkling is all that is necessary, or indeed I think advisable. Our weather is so changeable. At what hour would you wish the ceremony performed?
JACK Puck
Oh, I might trot round about five if that would suit you.
CHASUBLE Fenrir
Perfectly, perfectly! In fact I have two similar ceremonies to perform at that time. A case of twins that occurred recently in one of the outlying cottages on your own estate. Poor Jenkins the carter, a most hard-working man.
JACK Puck
Oh! I don’t see much fun in being christened along with other babies. It would be childish. Would half-past five do?
CHASUBLE Fenrir
Admirably! Admirably!
Narrator Charon
Takes out watch.
CHASUBLE Fenrir
And now, dear Mr. Worthing, I will not intrude any longer into a house of sorrow. I would merely beg you not to be too much bowed down by grief. What seem to us bitter trials are often blessings in disguise.
MISS PRISM Callirrhoe
This seems to me a blessing of an extremely obvious kind.
Narrator Charon
Enter Cecily from the house.
CECILY Kore
Uncle Jack! Oh, I am pleased to see you back. But what horrid clothes you have got on! Do go and change them.
MISS PRISM Callirrhoe
Cecily!
CHASUBLE Fenrir
My child! my child!
Narrator Charon
Cecily goes towards Jack; he kisses her brow in a melancholy manner.
CECILY Kore
What is the matter, Uncle Jack? Do look happy! You look as if you had toothache, and I have got such a surprise for you. Who do you think is in the dining-room? Your brother!
JACK Puck
Who?
CECILY Kore
Your brother Ernest. He arrived about half an hour ago.
JACK Puck
What nonsense! I haven’t got a brother.
CECILY Kore
Oh, don’t say that. However badly he may have behaved to you in the past he is still your brother. You couldn’t be so heartless as to disown him. I’ll tell him to come out. And you will shake hands with him, won’t you, Uncle Jack?
Narrator Charon
Runs back into the house.
CHASUBLE Fenrir
These are very joyful tidings.
MISS PRISM Callirrhoe
After we had all been resigned to his loss, his sudden return seems to me peculiarly distressing.
JACK Puck
My brother is in the dining-room? I don’t know what it all means. I think it is perfectly absurd.
Narrator Charon
Enter Algernon and Cecily hand in hand. They come slowly up to Jack.
JACK Puck
Good heavens!
Narrator Charon
Motions Algernon away.
ALGERNON Aoede
Brother John, I have come down from town to tell you that I am very sorry for all the trouble I have given you, and that I intend to lead a better life in the future.
Narrator Charon
Jack glares at him and does not take his hand.
CECILY Kore
Uncle Jack, you are not going to refuse your own brother’s hand?
JACK Puck
Nothing will induce me to take his hand. I think his coming down here disgraceful. He knows perfectly well why.
CECILY Kore
Uncle Jack, do be nice. There is some good in every one. Ernest has just been telling me about his poor invalid friend Mr. Bunbury whom he goes to visit so often. And surely there must be much good in one who is kind to an invalid, and leaves the pleasures of London to sit by a bed of pain.
JACK Puck
Oh! he has been talking about Bunbury, has he?
CECILY Kore
Yes, he has told me all about poor Mr. Bunbury, and his terrible state of health.
JACK Puck
Bunbury! Well, I won’t have him talk to you about Bunbury or about anything else. It is enough to drive one perfectly frantic.
ALGERNON Aoede
Of course I admit that the faults were all on my side. But I must say that I think that Brother John’s coldness to me is peculiarly painful. I expected a more enthusiastic welcome, especially considering it is the first time I have come here.
CECILY Kore
Uncle Jack, if you don’t shake hands with Ernest I will never forgive you.
JACK Puck
Never forgive me?
CECILY Kore
Never, never, never!
JACK Puck
Well, this is the last time I shall ever do it.
Narrator Charon
Shakes with Algernon and glares.
CHASUBLE Fenrir
It’s pleasant, is it not, to see so perfect a reconciliation? I think we might leave the two brothers together.
MISS PRISM Callirrhoe
Cecily, you will come with us.
CECILY Kore
Certainly, Miss Prism. My little task of reconciliation is over.
CHASUBLE Fenrir
You have done a beautiful action to-day, dear child.
MISS PRISM Callirrhoe
We must not be premature in our judgments.
CECILY Kore
I feel very happy.
Narrator Charon
They all go off except Jack and Algernon.
JACK Puck
You young scoundrel, Algy, you must get out of this place as soon as possible. I don’t allow any Bunburying here.
Narrator Charon
Enter Merriman.
MERRIMAN Algieba
I have put Mr. Ernest’s things in the room next to yours, sir. I suppose that is all right?
JACK Puck
What?
MERRIMAN Algieba
Mr. Ernest’s luggage, sir. I have unpacked it and put it in the room next to your own.
JACK Puck
His luggage?
MERRIMAN Algieba
Yes, sir. Three portmanteaus, a dressing-case, two hat-boxes, and a large luncheon-basket.
ALGERNON Aoede
I am afraid I can’t stay more than a week this time.
JACK Puck
Merriman, order the dog-cart at once. Mr. Ernest has been suddenly called back to town.
MERRIMAN Algieba
Yes, sir.
Narrator Charon
Goes back into the house.
ALGERNON Aoede
What a fearful liar you are, Jack. I have not been called back to town at all.
JACK Puck
Yes, you have.
ALGERNON Aoede
I haven’t heard any one call me.
JACK Puck
Your duty as a gentleman calls you back.
ALGERNON Aoede
My duty as a gentleman has never interfered with my pleasures in the smallest degree.
JACK Puck
I can quite understand that.
ALGERNON Aoede
Well, Cecily is a darling.
JACK Puck
You are not to talk of Miss Cardew like that. I don’t like it.
ALGERNON Aoede
Well, I don’t like your clothes. You look perfectly ridiculous in them. Why on earth don’t you go up and change? It is perfectly childish to be in deep mourning for a man who is actually staying for a whole week with you in your house as a guest. I call it grotesque.
JACK Puck
You are certainly not staying with me for a whole week as a guest or anything else. You have got to leave . . . by the four-five train.
ALGERNON Aoede
I certainly won’t leave you so long as you are in mourning. It would be most unfriendly. If I were in mourning you would stay with me, I suppose. I should think it very unkind if you didn’t.
JACK Puck
Well, will you go if I change my clothes?
ALGERNON Aoede
Yes, if you are not too long. I never saw anybody take so long to dress, and with such little result.
JACK Puck
Well, at any rate, that is better than being always over-dressed as you are.
ALGERNON Aoede
If I am occasionally a little over-dressed, I make up for it by being always immensely over-educated.
JACK Puck
Your vanity is ridiculous, your conduct an outrage, and your presence in my garden utterly absurd. However, you have got to catch the four-five, and I hope you will have a pleasant journey back to town. This Bunburying, as you call it, has not been a great success for you.
Narrator Charon
Goes into the house.
ALGERNON Aoede
I think it has been a great success. I’m in love with Cecily, and that is everything.
Narrator Charon
Enter Cecily at the back of the garden. She picks up the can and begins to water the flowers.
ALGERNON Aoede
But I must see her before I go, and make arrangements for another Bunbury. Ah, there she is.
CECILY Kore
Oh, I merely came back to water the roses. I thought you were with Uncle Jack.
ALGERNON Aoede
He’s gone to order the dog-cart for me.
CECILY Kore
Oh, is he going to take you for a nice drive?
ALGERNON Aoede
He’s going to send me away.
CECILY Kore
Then have we got to part?
ALGERNON Aoede
I am afraid so. It’s a very painful parting.
CECILY Kore
It is always painful to part from people whom one has known for a very brief space of time. The absence of old friends one can endure with equanimity. But even a momentary separation from anyone to whom one has just been introduced is almost unbearable.
ALGERNON Aoede
Thank you.
Narrator Charon
Enter Merriman.
MERRIMAN Algieba
The dog-cart is at the door, sir.
Narrator Charon
Algernon looks appealingly at Cecily.
CECILY Kore
It can wait, Merriman for . . . five minutes.
MERRIMAN Algieba
Yes, Miss.
Narrator Charon
Exit Merriman.
ALGERNON Aoede
I hope, Cecily, I shall not offend you if I state quite frankly and openly that you seem to me to be in every way the visible personification of absolute perfection.
CECILY Kore
I think your frankness does you great credit, Ernest. If you will allow me, I will copy your remarks into my diary.
Narrator Charon
Goes over to table and begins writing in diary.
ALGERNON Aoede
Do you really keep a diary? I’d give anything to look at it. May I?
CECILY Kore
Oh no.
Narrator Charon
Puts her hand over it.
CECILY Kore
You see, it is simply a very young girl’s record of her own thoughts and impressions, and consequently meant for publication. When it appears in volume form I hope you will order a copy. But pray, Ernest, don’t stop. I delight in taking down from dictation. I have reached ‘absolute perfection’. You can go on. I am quite ready for more.
Narrator Charon
Somewhat taken aback.
ALGERNON Aoede
Ahem! Ahem!
CECILY Kore
Oh, don’t cough, Ernest. When one is dictating one should speak fluently and not cough. Besides, I don’t know how to spell a cough.
Narrator Charon
Writes as Algernon speaks.
Speaking very rapidly.
ALGERNON Aoede
Cecily, ever since I first looked upon your wonderful and incomparable beauty, I have dared to love you wildly, passionately, devotedly, hopelessly.
CECILY Kore
I don’t think that you should tell me that you love me wildly, passionately, devotedly, hopelessly. Hopelessly doesn’t seem to make much sense, does it?
ALGERNON Aoede
Cecily!
Narrator Charon
Enter Merriman.
MERRIMAN Algieba
The dog-cart is waiting, sir.
ALGERNON Aoede
Tell it to come round next week, at the same hour.
Narrator Charon
Looks at Cecily, who makes no sign.
MERRIMAN Algieba
Yes, sir.
Narrator Charon
Merriman retires.
CECILY Kore
Uncle Jack would be very much annoyed if he knew you were staying on till next week, at the same hour.
ALGERNON Aoede
Oh, I don’t care about Jack. I don’t care for anybody in the whole world but you. I love you, Cecily. You will marry me, won’t you?
CECILY Kore
You silly boy! Of course. Why, we have been engaged for the last three months.
ALGERNON Aoede
For the last three months?
CECILY Kore
Yes, it will be exactly three months on Thursday.
ALGERNON Aoede
But how did we become engaged?
CECILY Kore
Well, ever since dear Uncle Jack first confessed to us that he had a younger brother who was very wicked and bad, you of course have formed the chief topic of conversation between myself and Miss Prism. And of course a man who is much talked about is always very attractive. One feels there must be something in him, after all. I daresay it was foolish of me, but I fell in love with you, Ernest.
ALGERNON Aoede
Darling! And when was the engagement actually settled?
CECILY Kore
On the 14th of February last. Worn out by your entire ignorance of my existence, I determined to end the matter one way or the other, and after a long struggle with myself I accepted you under this dear old tree here. The next day I bought this little ring in your name, and this is the little bangle with the true lover’s knot I promised you always to wear.
ALGERNON Aoede
Did I give you this? It’s very pretty, isn’t it?
CECILY Kore
Yes, you’ve wonderfully good taste, Ernest. It’s the excuse I’ve always given for your leading such a bad life. And this is the box in which I keep all your dear letters.
Narrator Charon
Kneels at table, opens box, and produces letters tied up with blue ribbon.
ALGERNON Aoede
My letters! But, my own sweet Cecily, I have never written you any letters.
CECILY Kore
You need hardly remind me of that, Ernest. I remember only too well that I was forced to write your letters for you. I wrote always three times a week, and sometimes oftener.
ALGERNON Aoede
Oh, do let me read them, Cecily?
CECILY Kore
Oh, I couldn’t possibly. They would make you far too conceited.
Narrator Charon
Replaces box.
CECILY Kore
The three you wrote me after I had broken off the engagement are so beautiful, and so badly spelled, that even now I can hardly read them without crying a little.
ALGERNON Aoede
But was our engagement ever broken off?
CECILY Kore
Of course it was. On the 22nd of last March. You can see the entry if you like.
Narrator Charon
Shows diary.
CECILY Kore
‘To-day I broke off my engagement with Ernest. I feel it is better to do so. The weather still continues charming.’
ALGERNON Aoede
But why on earth did you break it off? What had I done? I had done nothing at all. Cecily, I am very much hurt indeed to hear you broke it off. Particularly when the weather was so charming.
CECILY Kore
It would hardly have been a really serious engagement if it hadn’t been broken off at least once. But I forgave you before the week was out.
Narrator Charon
Crossing to her, and kneeling.
ALGERNON Aoede
What a perfect angel you are, Cecily.
CECILY Kore
You dear romantic boy.
Narrator Charon
He kisses her, she puts her fingers through his hair.
CECILY Kore
I hope your hair curls naturally, does it?
ALGERNON Aoede
Yes, darling, with a little help from others.
CECILY Kore
I am so glad.
ALGERNON Aoede
You’ll never break off our engagement again, Cecily?
CECILY Kore
I don’t think I could break it off now that I have actually met you. Besides, of course, there is the question of your name.
ALGERNON Aoede
Yes, of course.
Narrator Charon
Nervously.
CECILY Kore
You must not laugh at me, darling, but it had always been a girlish dream of mine to love some one whose name was Ernest.
Narrator Charon
Algernon rises, Cecily also.
CECILY Kore
There is something in that name that seems to inspire absolute confidence. I pity any poor married woman whose husband is not called Ernest.
ALGERNON Aoede
But, my dear child, do you mean to say you could not love me if I had some other name?
CECILY Kore
But what name?
ALGERNON Aoede
Oh, any name you like—Algernon—for instance . . .
CECILY Kore
But I don’t like the name of Algernon.
ALGERNON Aoede
Well, my own dear, sweet, loving little darling, I really can’t see why you should object to the name of Algernon. It is not at all a bad name. In fact, it is rather an aristocratic name. Half of the chaps who get into the Bankruptcy Court are called Algernon. But seriously, Cecily . . .
Narrator Charon
Moving to her.
ALGERNON Aoede
. . . if my name was Algy, couldn’t you love me?
Narrator Charon
Rising.
CECILY Kore
I might respect you, Ernest, I might admire your character, but I fear that I should not be able to give you my undivided attention.
ALGERNON Aoede
Ahem! Cecily!
Narrator Charon
Picking up hat.
ALGERNON Aoede
Your Rector here is, I suppose, thoroughly experienced in the practice of all the rites and ceremonials of the Church?
CECILY Kore
Oh, yes. Dr. Chasuble is a most learned man. He has never written a single book, so you can imagine how much he knows.
ALGERNON Aoede
I must see him at once on a most important christening—I mean on most important business.
CECILY Kore
Oh!
ALGERNON Aoede
I shan’t be away more than half an hour.
CECILY Kore
Considering that we have been engaged since February the 14th, and that I only met you to-day for the first time, I think it is rather hard that you should leave me for so long a period as half an hour. Couldn’t you make it twenty minutes?
ALGERNON Aoede
I’ll be back in no time.
Narrator Charon
Kisses her and rushes down the garden.
CECILY Kore
What an impetuous boy he is! I like his hair so much. I must enter his proposal in my diary.
Narrator Charon
Enter Merriman.
MERRIMAN Algieba
A Miss Fairfax has just called to see Mr. Worthing. On very important business, Miss Fairfax states.
CECILY Kore
Isn’t Mr. Worthing in his library?
MERRIMAN Algieba
Mr. Worthing went over in the direction of the Rectory some time ago.
CECILY Kore
Pray ask the lady to come out here; Mr. Worthing is sure to be back soon. And you can bring tea.
MERRIMAN Algieba
Yes, Miss.
Narrator Charon
Goes out.
CECILY Kore
Miss Fairfax! I suppose one of the many good elderly women who are associated with Uncle Jack in some of his philanthropic work in London. I don’t quite like women who are interested in philanthropic work. I think it is so forward of them.
Narrator Charon
Enter Merriman.
MERRIMAN Algieba
Miss Fairfax.
Narrator Charon
Enter Gwendolen.
Exit Merriman.
Advancing to meet her.
CECILY Kore
Pray let me introduce myself to you. My name is Cecily Cardew.
GWENDOLEN Leda
Cecily Cardew?
Narrator Charon
Moving to her and shaking hands.
GWENDOLEN Leda
What a very sweet name! Something tells me that we are going to be great friends. I like you already more than I can say. My first impressions of people are never wrong.
CECILY Kore
How nice of you to like me so much after we have known each other such a comparatively short time. Pray sit down.
Narrator Charon
Still standing up.
GWENDOLEN Leda
I may call you Cecily, may I not?
CECILY Kore
With pleasure!
GWENDOLEN Leda
And you will always call me Gwendolen, won’t you?
CECILY Kore
If you wish.
GWENDOLEN Leda
Then that is all quite settled, is it not?
CECILY Kore
I hope so.
Narrator Charon
A pause. They both sit down together.
GWENDOLEN Leda
Perhaps this might be a favourable opportunity for my mentioning who I am. My father is Lord Bracknell. You have never heard of papa, I suppose?
CECILY Kore
I don’t think so.
GWENDOLEN Leda
Outside the family circle, papa, I am glad to say, is entirely unknown. I think that is quite as it should be. The home seems to me to be the proper sphere for the man. And certainly once a man begins to neglect his domestic duties he becomes painfully effeminate, does he not? And I don’t like that. It makes men so very attractive. Cecily, mamma, whose views on education are remarkably strict, has brought me up to be extremely short-sighted; it is part of her system; so do you mind my looking at you through my glasses?
CECILY Kore
Oh! not at all, Gwendolen. I am very fond of being looked at.
Narrator Charon
After examining Cecily carefully through a lorgnette.
GWENDOLEN Leda
You are here on a short visit, I suppose.
CECILY Kore
Oh no! I live here.
Narrator Charon
Severely.
GWENDOLEN Leda
Really? Your mother, no doubt, or some female relative of advanced years, resides here also?
CECILY Kore
Oh no! I have no mother, nor, in fact, any relations.
GWENDOLEN Leda
Indeed?
CECILY Kore
My dear guardian, with the assistance of Miss Prism, has the arduous task of looking after me.
GWENDOLEN Leda
Your guardian?
CECILY Kore
Yes, I am Mr. Worthing’s ward.
GWENDOLEN Leda
Oh! It is strange he never mentioned to me that he had a ward. How secretive of him! He grows more interesting hourly. I am not sure, however, that the news inspires me with feelings of unmixed delight.
Narrator Charon
Rising and going to her.
GWENDOLEN Leda
I am very fond of you, Cecily; I have liked you ever since I met you! But I am bound to state that now that I know that you are Mr. Worthing’s ward, I cannot help expressing a wish you were—well, just a little older than you seem to be—and not quite so very alluring in appearance. In fact, if I may speak candidly—
CECILY Kore
Pray do! I think that whenever one has anything unpleasant to say, one should always be quite candid.
GWENDOLEN Leda
Well, to speak with perfect candour, Cecily, I wish that you were fully forty-two, and more than usually plain for your age. Ernest has a strong upright nature. He is the very soul of truth and honour. Disloyalty would be as impossible to him as deception. But even men of the noblest possible moral character are extremely susceptible to the influence of the physical charms of others. Modern, no less than Ancient History, supplies us with many most painful examples of what I refer to. If it were not so, indeed, History would be quite unreadable.
CECILY Kore
I beg your pardon, Gwendolen, did you say Ernest?
GWENDOLEN Leda
Yes.
CECILY Kore
Oh, but it is not Mr. Ernest Worthing who is my guardian. It is his brother—his elder brother.
Narrator Charon
Sitting down again.
GWENDOLEN Leda
Ernest never mentioned to me that he had a brother.
CECILY Kore
I am sorry to say they have not been on good terms for a long time.
GWENDOLEN Leda
Ah! that accounts for it. And now that I think of it I have never heard any man mention his brother. The subject seems distasteful to most men. Cecily, you have lifted a load from my mind. I was growing almost anxious. It would have been terrible if any cloud had come across a friendship like ours, would it not? Of course you are quite, quite sure that it is not Mr. Ernest Worthing who is your guardian?
CECILY Kore
Quite sure.
Narrator Charon
A pause.
CECILY Kore
In fact, I am going to be his.
Narrator Charon
Inquiringly.
GWENDOLEN Leda
I beg your pardon?
Narrator Charon
Rather shy and confidingly.
CECILY Kore
Dearest Gwendolen, there is no reason why I should make a secret of it to you. Our little county newspaper is sure to chronicle the fact next week. Mr. Ernest Worthing and I are engaged to be married.
Narrator Charon
Quite politely, rising.
GWENDOLEN Leda
My darling Cecily, I think there must be some slight error. Mr. Ernest Worthing is engaged to me. The announcement will appear in the Morning Post on Saturday at the latest.
Narrator Charon
Very politely, rising.
CECILY Kore
I am afraid you must be under some misconception. Ernest proposed to me exactly ten minutes ago.
Narrator Charon
Shows diary.
Examines diary through her lorgnettte carefully.
GWENDOLEN Leda
It is certainly very curious, for he asked me to be his wife yesterday afternoon at 5.30. If you would care to verify the incident, pray do so.
Narrator Charon
Produces diary of her own.
GWENDOLEN Leda
I never travel without my diary. One should always have something sensational to read in the train. I am so sorry, dear Cecily, if it is any disappointment to you, but I am afraid I have the prior claim.
CECILY Kore
It would distress me more than I can tell you, dear Gwendolen, if it caused you any mental or physical anguish, but I feel bound to point out that since Ernest proposed to you he clearly has changed his mind.
Narrator Charon
Meditatively.
GWENDOLEN Leda
If the poor fellow has been entrapped into any foolish promise I shall consider it my duty to rescue him at once, and with a firm hand.
Narrator Charon
Thoughtfully and sadly.
CECILY Kore
Whatever unfortunate entanglement my dear boy may have got into, I will never reproach him with it after we are married.
GWENDOLEN Leda
Do you allude to me, Miss Cardew, as an entanglement? You are presumptuous. On an occasion of this kind it becomes more than a moral duty to speak one’s mind. It becomes a pleasure.
CECILY Kore
Do you suggest, Miss Fairfax, that I entrapped Ernest into an engagement? How dare you? This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.
Narrator Charon
Satirically.
GWENDOLEN Leda
I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different.
Narrator Charon
Enter Merriman, followed by the footman. He carries a salver, table cloth, and plate stand. Cecily is about to retort. The presence of the servants exercises a restraining influence, under which both girls chafe.
MERRIMAN Algieba
Shall I lay tea here as usual, Miss?
Narrator Charon
Sternly, in a calm voice.
CECILY Kore
Yes, as usual.
Narrator Charon
Merriman begins to clear table and lay cloth. A long pause. Cecily and Gwendolen glare at each other.
GWENDOLEN Leda
Are there many interesting walks in the vicinity, Miss Cardew?
CECILY Kore
Oh! yes! a great many. From the top of one of the hills quite close one can see five counties.
GWENDOLEN Leda
Five counties! I don’t think I should like that; I hate crowds.
Narrator Charon
Sweetly.
CECILY Kore
I suppose that is why you live in town?
Narrator Charon
Gwendolen bites her lip, and beats her foot nervously with her parasol.
Looking round.
GWENDOLEN Leda
Quite a well-kept garden this is, Miss Cardew.
CECILY Kore
So glad you like it, Miss Fairfax.
GWENDOLEN Leda
I had no idea there were any flowers in the country.
CECILY Kore
Oh, flowers are as common here, Miss Fairfax, as people are in London.
GWENDOLEN Leda
Personally I cannot understand how anybody manages to exist in the country, if anybody who is anybody does. The country always bores me to death.
CECILY Kore
Ah! This is what the newspapers call agricultural depression, is it not? I believe the aristocracy are suffering very much from it just at present. It is almost an epidemic amongst them, I have been told. May I offer you some tea, Miss Fairfax?
Narrator Charon
With elaborate politeness.
GWENDOLEN Leda
Thank you.
Narrator Charon
Aside.
GWENDOLEN Leda
Detestable girl! But I require tea!
Narrator Charon
Sweetly.
CECILY Kore
Sugar?
Narrator Charon
Superciliously.
GWENDOLEN Leda
No, thank you. Sugar is not fashionable any more.
Narrator Charon
Cecily looks angrily at her, takes up the tongs and puts four lumps of sugar into the cup.
Severely.
CECILY Kore
Cake or bread and butter?
Narrator Charon
In a bored manner.
GWENDOLEN Leda
Bread and butter, please. Cake is rarely seen at the best houses nowadays.
Narrator Charon
Cuts a very large slice of cake, and puts it on the tray.
CECILY Kore
Hand that to Miss Fairfax.
Narrator Charon
Merriman does so, and goes out with footman. Gwendolen drinks the tea and makes a grimace. Puts down cup at once, reaches out her hand to the bread and butter, looks at it, and finds it is cake. Rises in indignation.
GWENDOLEN Leda
You have filled my tea with lumps of sugar, and though I asked most distinctly for bread and butter, you have given me cake. I am known for the gentleness of my disposition, and the extraordinary sweetness of my nature, but I warn you, Miss Cardew, you may go too far.
Narrator Charon
Rising.
CECILY Kore
To save my poor, innocent, trusting boy from the machinations of any other girl there are no lengths to which I would not go.
GWENDOLEN Leda
From the moment I saw you I distrusted you. I felt that you were false and deceitful. I am never deceived in such matters. My first impressions of people are invariably right.
CECILY Kore
It seems to me, Miss Fairfax, that I am trespassing on your valuable time. No doubt you have many other calls of a similar character to make in the neighbourhood.
Narrator Charon
Enter Jack.
Catching sight of him.
GWENDOLEN Leda
Ernest! My own Ernest!
JACK Puck
Gwendolen! Darling!
Narrator Charon
Offers to kiss her.
Draws back.
GWENDOLEN Leda
A moment! May I ask if you are engaged to be married to this young lady?
Narrator Charon
Points to Cecily.
Laughing.
JACK Puck
To dear little Cecily! Of course not! What could have put such an idea into your pretty little head?
GWENDOLEN Leda
Thank you. You may!
Narrator Charon
Offers her cheek.
Very sweetly.
CECILY Kore
I knew there must be some misunderstanding, Miss Fairfax. The gentleman whose arm is at present round your waist is my guardian, Mr. John Worthing.
GWENDOLEN Leda
I beg your pardon?
CECILY Kore
This is Uncle Jack.
Narrator Charon
Receding.
GWENDOLEN Leda
Jack! Oh!
Narrator Charon
Enter Algernon.
CECILY Kore
Here is Ernest.
Narrator Charon
Goes straight over to Cecily without noticing any one else.
ALGERNON Aoede
My own love!
Narrator Charon
Offers to kiss her.
Drawing back.
CECILY Kore
A moment, Ernest! May I ask you—are you engaged to be married to this young lady?
Narrator Charon
Looking round.
ALGERNON Aoede
To what young lady? Good heavens! Gwendolen!
CECILY Kore
Yes! to good heavens, Gwendolen, I mean to Gwendolen.
Narrator Charon
Laughing.
ALGERNON Aoede
Of course not! What could have put such an idea into your pretty little head?
CECILY Kore
Thank you.
Narrator Charon
Presenting her cheek to be kissed.
CECILY Kore
You may.
Narrator Charon
Algernon kisses her.
GWENDOLEN Leda
I felt there was some slight error, Miss Cardew. The gentleman who is now embracing you is my cousin, Mr. Algernon Moncrieff.
Narrator Charon
Breaking away from Algernon.
CECILY Kore
Algernon Moncrieff! Oh!
Narrator Charon
The two girls move towards each other and put their arms round each other’s waists as if for protection.
CECILY Kore
Are you called Algernon?
ALGERNON Aoede
I cannot deny it.
CECILY Kore
Oh!
GWENDOLEN Leda
Is your name really John?
Narrator Charon
Standing rather proudly.
JACK Puck
I could deny it if I liked. I could deny anything if I liked. But my name certainly is John. It has been John for years.
Narrator Charon
To Gwendolen.
CECILY Kore
A gross deception has been practised on both of us.
GWENDOLEN Leda
My poor wounded Cecily!
CECILY Kore
My sweet wronged Gwendolen!
Narrator Charon
Slowly and seriously.
GWENDOLEN Leda
You will call me sister, will you not?
Narrator Charon
They embrace. Jack and Algernon groan and walk up and down.
Rather brightly.
CECILY Kore
There is just one question I would like to be allowed to ask my guardian.
GWENDOLEN Leda
An admirable idea! Mr. Worthing, there is just one question I would like to be permitted to put to you. Where is your brother Ernest? We are both engaged to be married to your brother Ernest, so it is a matter of some importance to us to know where your brother Ernest is at present.
Narrator Charon
Slowly and hesitatingly.
JACK Puck
Gwendolen—Cecily—it is very painful for me to be forced to speak the truth. It is the first time in my life that I have ever been reduced to such a painful position, and I am really quite inexperienced in doing anything of the kind. However, I will tell you quite frankly that I have no brother Ernest. I have no brother at all. I never had a brother in my life, and I certainly have not the smallest intention of ever having one in the future.
Narrator Charon
Surprised.
CECILY Kore
No brother at all?
Narrator Charon
Cheerily.
JACK Puck
None!
Narrator Charon
Severely.
GWENDOLEN Leda
Had you never a brother of any kind?
Narrator Charon
Pleasantly.
JACK Puck
Never. Not even of any kind.
GWENDOLEN Leda
I am afraid it is quite clear, Cecily, that neither of us is engaged to be married to any one.
CECILY Kore
It is not a very pleasant position for a young girl suddenly to find herself in. Is it?
GWENDOLEN Leda
Let us go into the house. They will hardly venture to come after us there.
CECILY Kore
No, men are so cowardly, aren’t they?
Narrator Charon
They retire into the house with scornful looks.
JACK Puck
This ghastly state of things is what you call Bunburying, I suppose?
ALGERNON Aoede
Yes, and a perfectly wonderful Bunbury it is. The most wonderful Bunbury I have ever had in my life.
JACK Puck
Well, you’ve no right whatsoever to Bunbury here.
ALGERNON Aoede
That is absurd. One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that.
JACK Puck
Serious Bunburyist! Good heavens!
ALGERNON Aoede
Well, one must be serious about something, if one wants to have any amusement in life. I happen to be serious about Bunburying. What on earth you are serious about I haven’t got the remotest idea. About everything, I should fancy. You have such an absolutely trivial nature.
JACK Puck
Well, the only small satisfaction I have in the whole of this wretched business is that your friend Bunbury is quite exploded. You won’t be able to run down to the country quite so often as you used to do, dear Algy. And a very good thing too.
ALGERNON Aoede
Your brother is a little off colour, isn’t he, dear Jack? You won’t be able to disappear to London quite so frequently as your wicked custom was. And not a bad thing either.
JACK Puck
As for your conduct towards Miss Cardew, I must say that your taking in a sweet, simple, innocent girl like that is quite inexcusable. To say nothing of the fact that she is my ward.
ALGERNON Aoede
I can see no possible defence at all for your deceiving a brilliant, clever, thoroughly experienced young lady like Miss Fairfax. To say nothing of the fact that she is my cousin.
JACK Puck
I wanted to be engaged to Gwendolen, that is all. I love her.
ALGERNON Aoede
Well, I simply wanted to be engaged to Cecily. I adore her.
JACK Puck
There is certainly no chance of your marrying Miss Cardew.
ALGERNON Aoede
I don’t think there is much likelihood, Jack, of you and Miss Fairfax being united.
JACK Puck
Well, that is no business of yours.
ALGERNON Aoede
If it was my business, I wouldn’t talk about it.
Narrator Charon
Begins to eat muffins.
ALGERNON Aoede
It is very vulgar to talk about one’s business. Only people like stock-brokers do that, and then merely at dinner parties.
JACK Puck
How can you sit there, calmly eating muffins when we are in this horrible trouble, I can’t make out. You seem to me to be perfectly heartless.
ALGERNON Aoede
Well, I can’t eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them.
JACK Puck
I say it’s perfectly heartless your eating muffins at all, under the circumstances.
ALGERNON Aoede
When I am in trouble, eating is the only thing that consoles me. Indeed, when I am in really great trouble, as any one who knows me intimately will tell you, I refuse everything except food and drink. At the present moment I am eating muffins because I am unhappy. Besides, I am particularly fond of muffins.
Narrator Charon
Rising.
Rising.
JACK Puck
Well, that is no reason why you should eat them all in that greedy way.
Narrator Charon
Takes muffins from Algernon.
Offering tea-cake.
ALGERNON Aoede
I wish you would have tea-cake instead. I don’t like tea-cake.
JACK Puck
Good heavens! I suppose a man may eat his own muffins in his own garden.
ALGERNON Aoede
But you have just said it was perfectly heartless to eat muffins.
JACK Puck
I said it was perfectly heartless of you, under the circumstances. That is a very different thing.
ALGERNON Aoede
That may be. But the muffins are the same.
Narrator Charon
He seizes the muffin-dish from Jack.
JACK Puck
Algy, I wish to goodness you would go.
ALGERNON Aoede
You can’t possibly ask me to go without having some dinner. It’s absurd. I never go without my dinner. No one ever does, except vegetarians and people like that. Besides I have just made arrangements with Dr. Chasuble to be christened at a quarter to six under the name of Ernest.
JACK Puck
My dear fellow, the sooner you give up that nonsense the better. I made arrangements this morning with Dr. Chasuble to be christened myself at 5.30, and I naturally will take the name of Ernest. Gwendolen would wish it. We can’t both be christened Ernest. It’s absurd. Besides, I have a perfect right to be christened if I like. There is no evidence at all that I have ever been christened by anybody. I should think it extremely probable I never was, and so does Dr. Chasuble. It is entirely different in your case. You have been christened already.
ALGERNON Aoede
Yes, but I have not been christened for years.
JACK Puck
Yes, but you have been christened. That is the important thing.
ALGERNON Aoede
Quite so. So I know my constitution can stand it. If you are not quite sure about your ever having been christened, I must say I think it rather dangerous your venturing on it now. It might make you very unwell. You can hardly have forgotten that some one very closely connected with you was very nearly carried off this week in Paris by a severe chill.
JACK Puck
Yes, but you said yourself that a severe chill was not hereditary.
ALGERNON Aoede
It usen’t to be, I know—but I daresay it is now. Science is always making wonderful improvements in things.
Narrator Charon
Picking up the muffin-dish.
JACK Puck
Oh, that is nonsense; you are always talking nonsense.
ALGERNON Aoede
Jack, you are at the muffins again! I wish you wouldn’t. There are only two left.
Narrator Charon
Takes them.
ALGERNON Aoede
I told you I was particularly fond of muffins.
JACK Puck
But I hate tea-cake.
ALGERNON Aoede
Why on earth then do you allow tea-cake to be served up for your guests? What ideas you have of hospitality!
JACK Puck
Algernon! I have already told you to go. I don’t want you here. Why don’t you go!
ALGERNON Aoede
I haven’t quite finished my tea yet! and there is still one muffin left.
Narrator Charon
Jack groans, and sinks into a chair. Algernon still continues eating.
ACT DROP.

THIRD ACT

Narrator Charon
Morning-room at the Manor House.
Gwendolen and Cecily are at the window, looking out into the garden.
GWENDOLEN Leda
The fact that they did not follow us at once into the house, as any one else would have done, seems to me to show that they have some sense of shame left.
CECILY Kore
They have been eating muffins. That looks like repentance.
Narrator Charon
After a pause.
GWENDOLEN Leda
They don’t seem to notice us at all. Couldn’t you cough?
CECILY Kore
But I haven’t got a cough.
GWENDOLEN Leda
They’re looking at us. What effrontery!
CECILY Kore
They’re approaching. That’s very forward of them.
GWENDOLEN Leda
Let us preserve a dignified silence.
CECILY Kore
Certainly. It’s the only thing to do now.
Narrator Charon
Enter Jack followed by Algernon. They whistle some dreadful popular air from a British Opera.
GWENDOLEN Leda
This dignified silence seems to produce an unpleasant effect.
CECILY Kore
A most distasteful one.
GWENDOLEN Leda
But we will not be the first to speak.
CECILY Kore
Certainly not.
GWENDOLEN Leda
Mr. Worthing, I have something very particular to ask you. Much depends on your reply.
CECILY Kore
Gwendolen, your common sense is invaluable. Mr. Moncrieff, kindly answer me the following question. Why did you pretend to be my guardian’s brother?
ALGERNON Aoede
In order that I might have an opportunity of meeting you.
Narrator Charon
To Gwendolen.
CECILY Kore
That certainly seems a satisfactory explanation, does it not?
GWENDOLEN Leda
Yes, dear, if you can believe him.
CECILY Kore
I don’t. But that does not affect the wonderful beauty of his answer.
GWENDOLEN Leda
True. In matters of grave importance, style, not sincerity is the vital thing. Mr. Worthing, what explanation can you offer to me for pretending to have a brother? Was it in order that you might have an opportunity of coming up to town to see me as often as possible?
JACK Puck
Can you doubt it, Miss Fairfax?
GWENDOLEN Leda
I have the gravest doubts upon the subject. But I intend to crush them. This is not the moment for German scepticism.
Narrator Charon
Moving to Cecily.
GWENDOLEN Leda
Their explanations appear to be quite satisfactory, especially Mr. Worthing’s. That seems to me to have the stamp of truth upon it.
CECILY Kore
I am more than content with what Mr. Moncrieff said. His voice alone inspires one with absolute credulity.
GWENDOLEN Leda
Then you think we should forgive them?
CECILY Kore
Yes. I mean no.
GWENDOLEN Leda
True! I had forgotten. There are principles at stake that one cannot surrender. Which of us should tell them? The task is not a pleasant one.
CECILY Kore
Could we not both speak at the same time?
GWENDOLEN Leda
An excellent idea! I nearly always speak at the same time as other people. Will you take the time from me?
CECILY Kore
Certainly.
Narrator Charon
Gwendolen beats time with uplifted finger.
Speaking together.
GWENDOLEN and CECILY Autonoe
Your Christian names are still an insuperable barrier. That is all!
Narrator Charon
Speaking together.
JACK and ALGERNON Enceladus
Our Christian names! Is that all? But we are going to be christened this afternoon.
Narrator Charon
To Jack.
GWENDOLEN Leda
For my sake you are prepared to do this terrible thing?
JACK Puck
I am.
Narrator Charon
To Algernon.
CECILY Kore
To please me you are ready to face this fearful ordeal?
ALGERNON Aoede
I am!
GWENDOLEN Leda
How absurd to talk of the equality of the sexes! Where questions of self-sacrifice are concerned, men are infinitely beyond us.
JACK Puck
We are.
Narrator Charon
Clasps hands with Algernon.
CECILY Kore
They have moments of physical courage of which we women know absolutely nothing.
Narrator Charon
To Jack.
GWENDOLEN Leda
Darling!
Narrator Charon
To Cecily.
ALGERNON Aoede
Darling!
Narrator Charon
They fall into each other’s arms.
Enter Merriman. When he enters he coughs loudly, seeing the situation.
MERRIMAN Algieba
Ahem! Ahem! Lady Bracknell!
JACK Puck
Good heavens!
Narrator Charon
Enter Lady Bracknell. The couples separate in alarm. Exit Merriman.
LADY BRACKNELL Zephyr
Gwendolen! What does this mean?
GWENDOLEN Leda
Merely that I am engaged to be married to Mr. Worthing, mamma.
LADY BRACKNELL Zephyr
Come here. Sit down. Sit down immediately. Hesitation of any kind is a sign of mental decay in the young, of physical weakness in the old.
Narrator Charon
Turns to Jack.
LADY BRACKNELL Zephyr
Apprised, sir, of my daughter’s sudden flight by her trusty maid, whose confidence I purchased by means of a small coin, I followed her at once by a luggage train. Her unhappy father is, I am glad to say, under the impression that she is attending a more than usually lengthy lecture by the University Extension Scheme on the Influence of a permanent income on Thought. I do not propose to undeceive him. Indeed I have never undeceived him on any question. I would consider it wrong. But of course, you will clearly understand that all communication between yourself and my daughter must cease immediately from this moment. On this point, as indeed on all points, I am firm.
JACK Puck
I am engaged to be married to Gwendolen, Lady Bracknell!
LADY BRACKNELL Zephyr
You are nothing of the kind, sir. And now, as regards Algernon! . . . Algernon!
ALGERNON Aoede
Yes, Aunt Augusta.
LADY BRACKNELL Zephyr
May I ask if it is in this house that your invalid friend Mr. Bunbury resides?
Narrator Charon
Stammering.
ALGERNON Aoede
Oh! No! Bunbury doesn’t live here. Bunbury is somewhere else at present. In fact, Bunbury is dead.
LADY BRACKNELL Zephyr
Dead! When did Mr. Bunbury die? His death must have been extremely sudden.
Narrator Charon
Airily.
ALGERNON Aoede
Oh! I killed Bunbury this afternoon. I mean poor Bunbury died this afternoon.
LADY BRACKNELL Zephyr
What did he die of?
ALGERNON Aoede
Bunbury? Oh, he was quite exploded.
LADY BRACKNELL Zephyr
Exploded! Was he the victim of a revolutionary outrage? I was not aware that Mr. Bunbury was interested in social legislation. If so, he is well punished for his morbidity.
ALGERNON Aoede
My dear Aunt Augusta, I mean he was found out! The doctors found out that Bunbury could not live, that is what I mean—so Bunbury died.
LADY BRACKNELL Zephyr
He seems to have had great confidence in the opinion of his physicians. I am glad, however, that he made up his mind at the last to some definite course of action, and acted under proper medical advice. And now that we have finally got rid of this Mr. Bunbury, may I ask, Mr. Worthing, who is that young person whose hand my nephew Algernon is now holding in what seems to me a peculiarly unnecessary manner?
JACK Puck
That lady is Miss Cecily Cardew, my ward.
Narrator Charon
Lady Bracknell bows coldly to Cecily.
ALGERNON Aoede
I am engaged to be married to Cecily, Aunt Augusta.
LADY BRACKNELL Zephyr
I beg your pardon?
CECILY Kore
Mr. Moncrieff and I are engaged to be married, Lady Bracknell.
Narrator Charon
With a shiver, crossing to the sofa and sitting down.
LADY BRACKNELL Zephyr
I do not know whether there is anything peculiarly exciting in the air of this particular part of Hertfordshire, but the number of engagements that go on seems to me considerably above the proper average that statistics have laid down for our guidance. I think some preliminary inquiry on my part would not be out of place. Mr. Worthing, is Miss Cardew at all connected with any of the larger railway stations in London? I merely desire information. Until yesterday I had no idea that there were any families or persons whose origin was a Terminus.
Narrator Charon
Jack looks perfectly furious, but restrains himself.
In a clear, cold voice.
JACK Puck
Miss Cardew is the grand-daughter of the late Mr. Thomas Cardew of 149 Belgrave Square, S.W.; Gervase Park, Dorking, Surrey; and the Sporran, Fifeshire, N.B.
LADY BRACKNELL Zephyr
That sounds not unsatisfactory. Three addresses always inspire confidence, even in tradesmen. But what proof have I of their authenticity?
JACK Puck
I have carefully preserved the Court Guides of the period. They are open to your inspection, Lady Bracknell.
Narrator Charon
Grimly.
LADY BRACKNELL Zephyr
I have known strange errors in that publication.
JACK Puck
Miss Cardew’s family solicitors are Messrs. Markby, Markby, and Markby.
LADY BRACKNELL Zephyr
Markby, Markby, and Markby? A firm of the very highest position in their profession. Indeed I am told that one of the Mr. Markby’s is occasionally to be seen at dinner parties. So far I am satisfied.
Narrator Charon
Very irritably.
JACK Puck
How extremely kind of you, Lady Bracknell! I have also in my possession, you will be pleased to hear, certificates of Miss Cardew’s birth, baptism, whooping cough, registration, vaccination, confirmation, and the measles; both the German and the English variety.
LADY BRACKNELL Zephyr
Ah! A life crowded with incident, I see; though perhaps somewhat too exciting for a young girl. I am not myself in favour of premature experiences.
Narrator Charon
Rises, looks at her watch.
LADY BRACKNELL Zephyr
Gwendolen! the time approaches for our departure. We have not a moment to lose. As a matter of form, Mr. Worthing, I had better ask you if Miss Cardew has any little fortune?
JACK Puck
Oh! about a hundred and thirty thousand pounds in the Funds. That is all. Goodbye, Lady Bracknell. So pleased to have seen you.
Narrator Charon
Sitting down again.
LADY BRACKNELL Zephyr
A moment, Mr. Worthing. A hundred and thirty thousand pounds! And in the Funds! Miss Cardew seems to me a most attractive young lady, now that I look at her. Few girls of the present day have any really solid qualities, any of the qualities that last, and improve with time. We live, I regret to say, in an age of surfaces.
Narrator Charon
To Cecily.
LADY BRACKNELL Zephyr
Come over here, dear.
Narrator Charon
Cecily goes across.
LADY BRACKNELL Zephyr
Pretty child! your dress is sadly simple, and your hair seems almost as Nature might have left it. But we can soon alter all that. A thoroughly experienced French maid produces a really marvellous result in a very brief space of time. I remember recommending one to young Lady Lancing, and after three months her own husband did not know her.
JACK Puck
And after six months nobody knew her.
Narrator Charon
Glares at Jack for a few moments. Then bends, with a practised smile, to Cecily.
LADY BRACKNELL Zephyr
Kindly turn round, sweet child.
Narrator Charon
Cecily turns completely round.
LADY BRACKNELL Zephyr
No, the side view is what I want.
Narrator Charon
Cecily presents her profile.
LADY BRACKNELL Zephyr
Yes, quite as I expected. There are distinct social possibilities in your profile. The two weak points in our age are its want of principle and its want of profile. The chin a little higher, dear. Style largely depends on the way the chin is worn. They are worn very high, just at present. Algernon!
ALGERNON Aoede
Yes, Aunt Augusta!
LADY BRACKNELL Zephyr
There are distinct social possibilities in Miss Cardew’s profile.
ALGERNON Aoede
Cecily is the sweetest, dearest, prettiest girl in the whole world. And I don’t care twopence about social possibilities.
LADY BRACKNELL Zephyr
Never speak disrespectfully of Society, Algernon. Only people who can’t get into it do that.
Narrator Charon
To Cecily.
LADY BRACKNELL Zephyr
Dear child, of course you know that Algernon has nothing but his debts to depend upon. But I do not approve of mercenary marriages. When I married Lord Bracknell I had no fortune of any kind. But I never dreamed for a moment of allowing that to stand in my way. Well, I suppose I must give my consent.
ALGERNON Aoede
Thank you, Aunt Augusta.
LADY BRACKNELL Zephyr
Cecily, you may kiss me!
Narrator Charon
Kisses her.
CECILY Kore
Thank you, Lady Bracknell.
LADY BRACKNELL Zephyr
You may also address me as Aunt Augusta for the future.
CECILY Kore
Thank you, Aunt Augusta.
LADY BRACKNELL Zephyr
The marriage, I think, had better take place quite soon.
ALGERNON Aoede
Thank you, Aunt Augusta.
CECILY Kore
Thank you, Aunt Augusta.
LADY BRACKNELL Zephyr
To speak frankly, I am not in favour of long engagements. They give people the opportunity of finding out each other’s character before marriage, which I think is never advisable.
JACK Puck
I beg your pardon for interrupting you, Lady Bracknell, but this engagement is quite out of the question. I am Miss Cardew’s guardian, and she cannot marry without my consent until she comes of age. That consent I absolutely decline to give.
LADY BRACKNELL Zephyr
Upon what grounds may I ask? Algernon is an extremely, I may almost say an ostentatiously, eligible young man. He has nothing, but he looks everything. What more can one desire?
JACK Puck
It pains me very much to have to speak frankly to you, Lady Bracknell, about your nephew, but the fact is that I do not approve at all of his moral character. I suspect him of being untruthful.
Narrator Charon
Algernon and Cecily look at him in indignant amazement.
LADY BRACKNELL Zephyr
Untruthful! My nephew Algernon? Impossible! He is an Oxonian.
JACK Puck
I fear there can be no possible doubt about the matter. This afternoon during my temporary absence in London on an important question of romance, he obtained admission to my house by means of the false pretence of being my brother. Under an assumed name he drank, I’ve just been informed by my butler, an entire pint bottle of my Perrier-Jouet, Brut, ’89; wine I was specially reserving for myself. Continuing his disgraceful deception, he succeeded in the course of the afternoon in alienating the affections of my only ward. He subsequently stayed to tea, and devoured every single muffin. And what makes his conduct all the more heartless is, that he was perfectly well aware from the first that I have no brother, that I never had a brother, and that I don’t intend to have a brother, not even of any kind. I distinctly told him so myself yesterday afternoon.
LADY BRACKNELL Zephyr
Ahem! Mr. Worthing, after careful consideration I have decided entirely to overlook my nephew’s conduct to you.
JACK Puck
That is very generous of you, Lady Bracknell. My own decision, however, is unalterable. I decline to give my consent.
Narrator Charon
To Cecily.
LADY BRACKNELL Zephyr
Come here, sweet child.
Narrator Charon
Cecily goes over.
LADY BRACKNELL Zephyr
How old are you, dear?
CECILY Kore
Well, I am really only eighteen, but I always admit to twenty when I go to evening parties.
LADY BRACKNELL Zephyr
You are perfectly right in making some slight alteration. Indeed, no woman should ever be quite accurate about her age. It looks so calculating . . .
Narrator Charon
In a meditative manner.
LADY BRACKNELL Zephyr
Eighteen, but admitting to twenty at evening parties. Well, it will not be very long before you are of age and free from the restraints of tutelage. So I don’t think your guardian’s consent is, after all, a matter of any importance.
JACK Puck
Pray excuse me, Lady Bracknell, for interrupting you again, but it is only fair to tell you that according to the terms of her grandfather’s will Miss Cardew does not come legally of age till she is thirty-five.
LADY BRACKNELL Zephyr
That does not seem to me to be a grave objection. Thirty-five is a very attractive age. London society is full of women of the very highest birth who have, of their own free choice, remained thirty-five for years. Lady Dumbleton is an instance in point. To my own knowledge she has been thirty-five ever since she arrived at the age of forty, which was many years ago now. I see no reason why our dear Cecily should not be even still more attractive at the age you mention than she is at present. There will be a large accumulation of property.
CECILY Kore
Algy, could you wait for me till I was thirty-five?
ALGERNON Aoede
Of course I could, Cecily. You know I could.
CECILY Kore
Yes, I felt it instinctively, but I couldn’t wait all that time. I hate waiting even five minutes for anybody. It always makes me rather cross. I am not punctual myself, I know, but I do like punctuality in others, and waiting, even to be married, is quite out of the question.
ALGERNON Aoede
Then what is to be done, Cecily?
CECILY Kore
I don’t know, Mr. Moncrieff.
LADY BRACKNELL Zephyr
My dear Mr. Worthing, as Miss Cardew states positively that she cannot wait till she is thirty-five—a remark which I am bound to say seems to me to show a somewhat impatient nature—I would beg of you to reconsider your decision.
JACK Puck
But my dear Lady Bracknell, the matter is entirely in your own hands. The moment you consent to my marriage with Gwendolen, I will most gladly allow your nephew to form an alliance with my ward.
Narrator Charon
Rising and drawing herself up.
LADY BRACKNELL Zephyr
You must be quite aware that what you propose is out of the question.
JACK Puck
Then a passionate celibacy is all that any of us can look forward to.
LADY BRACKNELL Zephyr
That is not the destiny I propose for Gwendolen. Algernon, of course, can choose for himself.
Narrator Charon
Pulls out her watch.
LADY BRACKNELL Zephyr
Come, dear,
Narrator Charon
Gwendolen rises.
LADY BRACKNELL Zephyr
we have already missed five, if not six, trains. To miss any more might expose us to comment on the platform.
Narrator Charon
Enter Dr. Chasuble.
CHASUBLE Fenrir
Everything is quite ready for the christenings.
LADY BRACKNELL Zephyr
The christenings, sir! Is not that somewhat premature?
Narrator Charon
Looking rather puzzled, and pointing to Jack and Algernon.
CHASUBLE Fenrir
Both these gentlemen have expressed a desire for immediate baptism.
LADY BRACKNELL Zephyr
At their age? The idea is grotesque and irreligious! Algernon, I forbid you to be baptized. I will not hear of such excesses. Lord Bracknell would be highly displeased if he learned that that was the way in which you wasted your time and money.
CHASUBLE Fenrir
Am I to understand then that there are to be no christenings at all this afternoon?
JACK Puck
I don’t think that, as things are now, it would be of much practical value to either of us, Dr. Chasuble.
CHASUBLE Fenrir
I am grieved to hear such sentiments from you, Mr. Worthing. They savour of the heretical views of the Anabaptists, views that I have completely refuted in four of my unpublished sermons. However, as your present mood seems to be one peculiarly secular, I will return to the church at once. Indeed, I have just been informed by the pew-opener that for the last hour and a half Miss Prism has been waiting for me in the vestry.
Narrator Charon
Starting.
LADY BRACKNELL Zephyr
Miss Prism! Did I hear you mention a Miss Prism?
CHASUBLE Fenrir
Yes, Lady Bracknell. I am on my way to join her.
LADY BRACKNELL Zephyr
Pray allow me to detain you for a moment. This matter may prove to be one of vital importance to Lord Bracknell and myself. Is this Miss Prism a female of repellent aspect, remotely connected with education?
Narrator Charon
Somewhat indignantly.
CHASUBLE Fenrir
She is the most cultivated of ladies, and the very picture of respectability.
LADY BRACKNELL Zephyr
It is obviously the same person. May I ask what position she holds in your household?
Narrator Charon
Severely.
CHASUBLE Fenrir
I am a celibate, madam.
Narrator Charon
Interposing.
JACK Puck
Miss Prism, Lady Bracknell, has been for the last three years Miss Cardew’s esteemed governess and valued companion.
LADY BRACKNELL Zephyr
In spite of what I hear of her, I must see her at once. Let her be sent for.
Narrator Charon
Looking off.
CHASUBLE Fenrir
She approaches; she is nigh.
Narrator Charon
Enter Miss Prism hurriedly.
MISS PRISM Callirrhoe
I was told you expected me in the vestry, dear Canon. I have been waiting for you there for an hour and three-quarters.
Narrator Charon
Catches sight of Lady Bracknell, who has fixed her with a stony glare. Miss Prism grows pale and quails. She looks anxiously round as if desirous to escape.
In a severe, judicial voice.
LADY BRACKNELL Zephyr
Prism!
Narrator Charon
Miss Prism bows her head in shame.
LADY BRACKNELL Zephyr
Come here, Prism!
Narrator Charon
Miss Prism approaches in a humble manner.
LADY BRACKNELL Zephyr
Prism! Where is that baby?
Narrator Charon
General consternation. The Canon starts back in horror. Algernon and Jack pretend to be anxious to shield Cecily and Gwendolen from hearing the details of a terrible public scandal.
LADY BRACKNELL Zephyr
Twenty-eight years ago, Prism, you left Lord Bracknell’s house, Number 104, Upper Grosvenor Street, in charge of a perambulator that contained a baby of the male sex. You never returned. A few weeks later, through the elaborate investigations of the Metropolitan police, the perambulator was discovered at midnight, standing by itself in a remote corner of Bayswater. It contained the manuscript of a three-volume novel of more than usually revolting sentimentality.
Narrator Charon
Miss Prism starts in involuntary indignation.
LADY BRACKNELL Zephyr
But the baby was not there!
Narrator Charon
Every one looks at Miss Prism.
LADY BRACKNELL Zephyr
Prism! Where is that baby?
Narrator Charon
A pause.
MISS PRISM Callirrhoe
Lady Bracknell, I admit with shame that I do not know. I only wish I did. The plain facts of the case are these. On the morning of the day you mention, a day that is for ever branded on my memory, I prepared as usual to take the baby out in its perambulator. I had also with me a somewhat old, but capacious hand-bag in which I had intended to place the manuscript of a work of fiction that I had written during my few unoccupied hours. In a moment of mental abstraction, for which I never can forgive myself, I deposited the manuscript in the basinette, and placed the baby in the hand-bag.
Narrator Charon
Who has been listening attentively.
JACK Puck
But where did you deposit the hand-bag?
MISS PRISM Callirrhoe
Do not ask me, Mr. Worthing.
JACK Puck
Miss Prism, this is a matter of no small importance to me. I insist on knowing where you deposited the hand-bag that contained that infant.
MISS PRISM Callirrhoe
I left it in the cloak-room of one of the larger railway stations in London.
JACK Puck
What railway station?
Narrator Charon
Quite crushed.
MISS PRISM Callirrhoe
Victoria. The Brighton line.
Narrator Charon
Sinks into a chair.
JACK Puck
I must retire to my room for a moment. Gwendolen, wait here for me.
GWENDOLEN Leda
If you are not too long, I will wait here for you all my life.
Narrator Charon
Exit Jack in great excitement.
CHASUBLE Fenrir
What do you think this means, Lady Bracknell?
LADY BRACKNELL Zephyr
I dare not even suspect, Dr. Chasuble. I need hardly tell you that in families of high position strange coincidences are not supposed to occur. They are hardly considered the thing.
Narrator Charon
Noises heard overhead as if some one was throwing trunks about. Every one looks up.
CECILY Kore
Uncle Jack seems strangely agitated.
CHASUBLE Fenrir
Your guardian has a very emotional nature.
LADY BRACKNELL Zephyr
This noise is extremely unpleasant. It sounds as if he was having an argument. I dislike arguments of any kind. They are always vulgar, and often convincing.
Narrator Charon
Looking up.
CHASUBLE Fenrir
It has stopped now.
Narrator Charon
The noise is redoubled.
LADY BRACKNELL Zephyr
I wish he would arrive at some conclusion.
GWENDOLEN Leda
This suspense is terrible. I hope it will last.
Narrator Charon
Enter Jack with a hand-bag of black leather in his hand.
Rushing over to Miss Prism.
JACK Puck
Is this the hand-bag, Miss Prism? Examine it carefully before you speak. The happiness of more than one life depends on your answer.
Narrator Charon
Calmly.
MISS PRISM Callirrhoe
It seems to be mine. Yes, here is the injury it received through the upsetting of a Gower Street omnibus in younger and happier days. Here is the stain on the lining caused by the explosion of a temperance beverage, an incident that occurred at Leamington. And here, on the lock, are my initials. I had forgotten that in an extravagant mood I had had them placed there. The bag is undoubtedly mine. I am delighted to have it so unexpectedly restored to me. It has been a great inconvenience being without it all these years.
Narrator Charon
In a pathetic voice.
JACK Puck
Miss Prism, more is restored to you than this hand-bag. I was the baby you placed in it.
Narrator Charon
Amazed.
MISS PRISM Callirrhoe
You?
Narrator Charon
Embracing her.
JACK Puck
Yes . . . mother!
Narrator Charon
Recoiling in indignant astonishment.
MISS PRISM Callirrhoe
Mr. Worthing! I am unmarried!
JACK Puck
Unmarried! I do not deny that is a serious blow. But after all, who has the right to cast a stone against one who has suffered? Cannot repentance wipe out an act of folly? Why should there be one law for men, and another for women? Mother, I forgive you.
Narrator Charon
Tries to embrace her again.
Still more indignant.
MISS PRISM Callirrhoe
Mr. Worthing, there is some error.
Narrator Charon
Pointing to Lady Bracknell.
MISS PRISM Callirrhoe
There is the lady who can tell you who you really are.
Narrator Charon
After a pause.
JACK Puck
Lady Bracknell, I hate to seem inquisitive, but would you kindly inform me who I am?
LADY BRACKNELL Zephyr
I am afraid that the news I have to give you will not altogether please you. You are the son of my poor sister, Mrs. Moncrieff, and consequently Algernon’s elder brother.
JACK Puck
Algy’s elder brother! Then I have a brother after all. I knew I had a brother! I always said I had a brother! Cecily,—how could you have ever doubted that I had a brother?
Narrator Charon
Seizes hold of Algernon.
JACK Puck
Dr. Chasuble, my unfortunate brother. Miss Prism, my unfortunate brother. Gwendolen, my unfortunate brother. Algy, you young scoundrel, you will have to treat me with more respect in the future. You have never behaved to me like a brother in all your life.
ALGERNON Aoede
Well, not till to-day, old boy, I admit. I did my best, however, though I was out of practice.
Narrator Charon
Shakes hands.
To Jack.
GWENDOLEN Leda
My own! But what own are you? What is your Christian name, now that you have become some one else?
JACK Puck
Good heavens! . . . I had quite forgotten that point. Your decision on the subject of my name is irrevocable, I suppose?
GWENDOLEN Leda
I never change, except in my affections.
CECILY Kore
What a noble nature you have, Gwendolen!
JACK Puck
Then the question had better be cleared up at once. Aunt Augusta, a moment. At the time when Miss Prism left me in the hand-bag, had I been christened already?
LADY BRACKNELL Zephyr
Every luxury that money could buy, including christening, had been lavished on you by your fond and doting parents.
JACK Puck
Then I was christened! That is settled. Now, what name was I given? Let me know the worst.
LADY BRACKNELL Zephyr
Being the eldest son you were naturally christened after your father.
Narrator Charon
Irritably.
JACK Puck
Yes, but what was my father’s Christian name?
Narrator Charon
Meditatively.
LADY BRACKNELL Zephyr
I cannot at the present moment recall what the General’s Christian name was. But I have no doubt he had one. He was eccentric, I admit. But only in later years. And that was the result of the Indian climate, and marriage, and indigestion, and other things of that kind.
JACK Puck
Algy! Can’t you recollect what our father’s Christian name was?
ALGERNON Aoede
My dear boy, we were never even on speaking terms. He died before I was a year old.
JACK Puck
His name would appear in the Army Lists of the period, I suppose, Aunt Augusta?
LADY BRACKNELL Zephyr
The General was essentially a man of peace, except in his domestic life. But I have no doubt his name would appear in any military directory.
JACK Puck
The Army Lists of the last forty years are here. These delightful records should have been my constant study.
Narrator Charon
Rushes to bookcase and tears the books out.
JACK Puck
M. Generals . . . Mallam, Maxbohm, Magley, what ghastly names they have—Markby, Migsby, Mobbs, Moncrieff! Lieutenant 1840, Captain, Lieutenant-Colonel, Colonel, General 1869, Christian names, Ernest John.
Narrator Charon
Puts book very quietly down and speaks quite calmly.
JACK Puck
I always told you, Gwendolen, my name was Ernest, didn’t I? Well, it is Ernest after all. I mean it naturally is Ernest.
LADY BRACKNELL Zephyr
Yes, I remember now that the General was called Ernest, I knew I had some particular reason for disliking the name.
GWENDOLEN Leda
Ernest! My own Ernest! I felt from the first that you could have no other name!
JACK Puck
Gwendolen, it is a terrible thing for a man to find out suddenly that all his life he has been speaking nothing but the truth. Can you forgive me?
GWENDOLEN Leda
I can. For I feel that you are sure to change.
JACK Puck
My own one!
Narrator Charon
To Miss Prism.
CHASUBLE Fenrir
Lætitia!
Narrator Charon
Embraces her.
Enthusiastically.
MISS PRISM Callirrhoe
Frederick! At last!
ALGERNON Aoede
Cecily!
Narrator Charon
Embraces her.
ALGERNON Aoede
At last!
JACK Puck
Gwendolen!
Narrator Charon
Embraces her.
JACK Puck
At last!
LADY BRACKNELL Zephyr
My nephew, you seem to be displaying signs of triviality.
JACK Puck
On the contrary, Aunt Augusta, I’ve now realised for the first time in my life the vital Importance of Being Earnest.
Narrator Charon
TABLEAU.